Sidney Toler

The first 11 Charlie Chan outings were produced by 20th Century Fox Studios. All of them were box office hits.

While filming the last three Charlie Chan installments (Shadows Over Chinatown (1946), Dangerous Money (1946), and The Trap (1946)), the actor became increasingly incapacitated by ill-health which resulted in extra screen time for his co-stars Mantan Moreland and Victor Sen Yung.

Fox retired the series, but two years later, in 1944, sold the character rights to the 'poverty row' company Monogram Pictures. This inevitably resulted in poorer scripts and lower production values. Moreover, after years of being typecast as Charlie Chan and given few opportunities to expand his range as an actor, Sidney's performances also became less defined and more automatic.

However, by 1942, the quality of the series began to decline. With America's entry into the Second World War, overseas markets began to dwindle.

The death of Charlie Chan impersonator Warner Oland in 1938 presented him with an opportunity for a leading role and he successfully auditioned for the part among 34 candidates screen-tested. His expansive, avuncular personality made Sidney, arguably, the most popular incarnation of the famous oriental detective with a noticeably strong line in sarcastic wit -- usually directed at 'Number Two Son'.

He played Chan in 22 feature films beginning with Charlie Chan in Honolulu (1938), and ending with The Trap (1946).

In the mid-1930s, he joined 20th Century Fox under contract.

Frequently under the auspices of theatrical impresario David Belasco, Sidney starred in Broadway comedy for twelve years (1918-30). Having decided to abandon his successful stage career, he made the move to Hollywood and played supporting roles as a free-lance actor for several years, often cast as police officers, bankers or butlers.

He made his Broadway debut in 'The Office Boy' in 1903 and for the next nine years went on the road with his own touring acting troupes. His prowess as a writer equaled that of his performances with two of his plays opening on Broadway while a third ('The Man They Left Behind') was enacted by no less than eighteen different stock companies in a single week nationwide.

The son of Colonel H. G. Toler, breeder of trotting horses, Sidney Toler acted on stage by the time he was seven years old. He was an established star of the theater by the 1890s, long before his career in motion pictures began. He was also active as a playwright and had a good enough voice to be cast as a lead baritone with an operatic stock company at the Orpheum Theatre in New York.