Sinead O'Donnell

'Her work explores identity, borders and barriers through encounters with territory and the territorial. She sets up actions or situations that demonstrate complexities, contradictions or commonality between medium and discipline, timing and spontaneity, intuition and methodology, artist and audience. She uses photography, video, text and collage to record her performances which often reveals an ongoing interest in the co-existence of other women and systems of kinship and identity. Sinéad’s practice is nomadic and travel has broadened her cultural perceptions and influenced her artistic sensibilities regarding time and space. '

For an in depth overview of Sinéad's practice please read Gillian Wylde's 'A response to the work of Sinead O'Donnell by Gillian Wylde' in which she states "O’Donnell’s work is for and about breaking things up, agency and transmission, waiting, giving way. This is purposelessly purposeful work, contradictory, simple, hard. If you do something on purpose (not by accident), you do it purposely. But if you have a specific purpose in mind, you are acting purposefully. Much in life is done or made with no discernible point or purpose. Much in life is done with great purposefulness, endlessly the same and endlessly different."

The violent performance series began at Red Ape in Plymouth curated by Mark Greenwood for the fringe event to Marina Abramović's 'The pigs of today are the hams of tomorrow'. Throughout this series of works Sinéad used the sound of the word as opposite to the actual physical threat of violence. By 2013 she had unravelled her relationship with the subject to the point where sound was no longer necessary to articulate her ideas. The series is a leading example of her 'process led' practice and how she opens up this process to her audiences.

Sinéad has presented work extensively including: In Between Time, Bristol (2013), RITES, Singapore (2012), Mobius Performance Space, Boston, USA (2012), Southbank Centre, London (2012) Golden Thread Gallery, Belfast (2012), Contemporary Art Factory, Tokyo, Japan (2011), My Land festival, Croatia (2012), Black Market International, Belfast (2012), National Review of Live Art, Glasgow (2010). For further details please see her curriculum vitae.

CAUTION was an Unlimited commission as part of the London 2012 Cultural Olympiad. The project was financially supported by the National Lottery and delivered in partnership between London 2012, Arts Council England, the Scottish Arts Council, Arts Council of Wales, Arts Council of Northern Ireland and the British Council. CAUTION brought together the artists Sylvette Babin, Mariel Carranza, Paul Couillard, Poshya Kakil, Shiro Masuyama and Sinéad O’Donnell to re-frame their artistic identities within a discourse of invisible disability.

During 2011, Sinéad visited each artist and worked with them to produce material that explored invisibility, materiality and states in-between. The process was cumulative and each artist built upon ideas generated by previous encounters and journeys with Sinéad, connecting the artists and acting as a catalyst for the progression of the work.

Sinéad was a 2010/11 ArtsAdmin bursary recipient during which time she focused on areas of her practice addressing disability, community and collaboration, including the development of CAUTION project.

Sinéad O’Donnell (born 11 September 1975, Dublin) is an Irish artist. She currently lives and works in Belfast and travels extensively with her work.