Age, Biography and Wiki
Skip Heller was born on 4 October, 1965, is a Musician, composer, producer, bandleader. Discover Skip Heller's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 59 years old?
Popular As |
Fred Heller |
Occupation |
Musician, composer, producer, bandleader |
Age |
59 years old |
Zodiac Sign |
Libra |
Born |
4 October 1965 |
Birthday |
4 October |
Birthplace |
Philadelphia, Pennsylvania |
Nationality |
|
We recommend you to check the complete list of Famous People born on 4 October.
He is a member of famous Musician with the age 59 years old group.
Skip Heller Height, Weight & Measurements
At 59 years old, Skip Heller height not available right now. We will update Skip Heller's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Skip Heller Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Skip Heller worth at the age of 59 years old? Skip Heller’s income source is mostly from being a successful Musician. He is from . We have estimated
Skip Heller's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Musician |
Skip Heller Social Network
Timeline
Homegoing, on the Innova Records label, is a stripped down organ combo date that took Heller back to his Philly jazz roots while featuring new compositions. He started touring, and followed Homegoing with Fakebook (Hyena Records), another organ-based quartet release—this time concentrating on songs by favorite composers, including Duke Ellington, Bob Dylan, and Prince.
The following year, he started his own label, Skyeways, while cutting a deal with Ropeadope Records to handle his digital distribution, while retaining his own right to manufacture. The first release under this arrangement, 2006's Mean Things Happening in This Land, concentrated largely on world music. Also released in 2006 was an expanded release of Couch, Los Angeles, an original exotica score for Tilt (a pinball documentary). Production began on a documentary about Heller himself, called Hearing That Noise Was My First Ever Feeling, the title taken from a lyric in The Clash's "Lost in the Supermarket." He participated in two shows that paid tribute to the bluegrass musician John Hartford, and recorded a new album at Memphis' Sun Records studio.
In 1999, he released Couch, Los Angeles, which showcased him as a composer, arranger, band leader, and guitarist. Heller did not make a new album for another three years. He did, however, start writing television music for such shows The Flintstones: On the Rocks and Dexter's Laboratory.
In 1994, he began working for and stealing from exotica composer Les Baxter, who made his home in Palm Springs, California. Heller soon began commuting between Philadelphia and Southern California. Within a year, he had moved west and become a prolific record producer and player, largely working for independent labels like Dionysus and UltraModern, with rockabilly artists such as Sammy Masters, Dee Lannon, and Ray Campi, and also producing reissues of vintage exotica for the label.
Fred "Skip" Heller (born October 4, 1965) is an American singer, songwriter, and guitarist. Although active in many different types of music as a performer, producer, and historian coming out of the Philadelphia jazz scene, and in spite of local critical recognition, he did not make a large mark in his hometown.