Tamara Geva

The daughter of a Swedish mother (Tamara Urtahl, a Swede) and of a wealthy St. Petersburg manufacturer of Muslim heritage and patron of the arts who later became a free-thinker (Levko Zheverzheiev), Geva grew up in a vast 18th century mansion which included a private museum. Geva described her mother as beautiful but selfish, frequently unfaithful to her husband. Geva's parents were unable to marry until their daughter was six years old. Studying ballet was the passion of her childhood, though there were many obstacles before she eventually was able to devote herself to it.

Her last performance was onscreen in Frevel (1984) (1984), credited simply as "Tamara".

She published her autobiography in 1972 called "Split Seconds".

Geva ultimately was dissatisfied with the limited opportunities in the company and joined Balieff's touring 'Chauve-Souris' troupe, which performed in New York in 1927. She and Balanchine divorced but remained on friendly terms.

(The marriage was dissolved in 1926. )The couple joined Diaghilev's Ballet Russes, where Balanchine began to establish a name for himself in Europe.

Geva met George Balanchine at the Maryinsky Ballet School and married him in 1923 when she was 16.

As a child Tamara Geva took ballet lessons for several years. At the Maryinsky ballet school she met the choreographer and dancer George Balanchine and she married him at the age of only 14 in 1921.

She married Karp (also known as "Kapa" or "Kappa") Davidoff (né Garabed Tavitian; 1897-1982) after her divorce from Balanchine. Davidoff, an actor and fashion executive, had previously been married to a flier, Lucia Davidova; Geva and Davidova became friends, and were often publicly escorted together by Davidoff.