Age, Biography and Wiki
Ted Albert was born on 1937 in Australia, is a record producer. Discover Ted Albert's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 53 years old?
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Age |
53 years old |
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Born |
1937 |
Birthday |
1937 |
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Date of death |
(1990-11-11)1990-11-11 |
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Nationality |
Australia |
We recommend you to check the complete list of Famous People born on 1937.
He is a member of famous record producer with the age 53 years old group.
Ted Albert Height, Weight & Measurements
At 53 years old, Ted Albert height not available right now. We will update Ted Albert's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Ted Albert Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Ted Albert worth at the age of 53 years old? Ted Albert’s income source is mostly from being a successful record producer. He is from Australia. We have estimated
Ted Albert's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
record producer |
Ted Albert Social Network
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Timeline
On its release, the film of Strictly Ballroom garnered critical acclaim and was No.1 at the Australian box office in 1992. The film launched Baz Luhrmann's career in the Australian film industry. The soundtrack featured the Vanda and Young-penned tune "Love Is in the Air" performed by John Paul Young. With the film's international success, and the subsequent release of the new version of the song, the single peaked at number 2 on the Australian charts, and was a minor hit in the UK. The film subsequently received eight Australian Film Institute Awards, as well as the coveted Prix de la Jeunesse at the Cannes film festival.
Edward Frank Albert (1937 – 11 November 1990) was an Australian early pioneer independent record production and founder of Albert Productions (part of his great grandfather's company Albert Music). In recognition of his contribution to the music industry, the Australasian Performing Right Association established the annual "Ted Albert Award for Outstanding Services to Australian Music".
In 1990, in recognition of his contribution to the local music industry, Ted Albert was awarded a Lifetime Achievement Award at the annual ARIA Awards. Tragically, later that year he suffered a fatal heart attack and for his contributions to the local industry, the following year the Australasian Performing Right Association (APRA) established the annual Ted Albert Award for Outstanding Service to Australian Music.
Ted Albert died from a heart attack on 11 November 1990 aged 53, and is survived by his wife Antoinette (Popsy) Albert née Muir and daughters Emily and Anna.
In 1988, Albert and producer Tristram Miall established a film production company called M & A Productions (Miall and Albert) to pursue film ideas and opportunities in the music and dance genre. Ted Albert had attended Sydney's Wharf Theatre to watch the stage play, Strictly Ballroom, written and directed by Baz Luhrmann. Tristram Miall bought the film rights and commissioned Luhrmann to write and direct the film adaption. Albert spent three years raising film finance.
Ted Albert invested considerable sums of time and money in equipping Alberts with state-of-the-art recording technology and the facility was gradually expanded to accommodate four studios. By one account he would buy the latest console or multi-track (technology) on the spot whilst on overseas business trips. For example, in 1978 Albert Productions installed a MCI JH-500 series mixing console, reputedly Australia's first automated console acquired on one such trip.
At the time Vanda and Young were still living in England but upon hearing of Pasadena's chart success returned to Sydney. In 1973 Alberts opened a recording studio in Boomerang House, a building owned by the Albert family at 139 King Street in Sydney's central business district. Ted Albert produced the Ted Mulry Gang's album Here We Are, and that album's single "Jump in My Car", in King Street.
In the 1970s Ted Albert fostered Australia's third wave of youth oriented music. Early in 1972 Simon Napier-Bell, the English record producer, was scouting for new talent in Australia and produced a few records for Alberts including 'Pasadena'. The song, which was recorded by singer John Paul Young, was written by former Easybeats Vanda and Young with lyrics by British film, stage and television actor David Hemmings. The single reached No. 16 on the Australian singles charts in early 1972.
During the 1970s and the early 1980s Albert Studios became one of Sydney's pre-eminent recording studios for recording contemporary music for artists, including pop artist William Shakespeare through to The Angels, Rose Tattoo, Heroes, Cheetah, Choirboys and internationally renowned band AC/DC. In addition the studios were much in demand by rock bands such as Cold Chisel and Midnight Oil or by blues music acts such as Graham Lowndes and for the recording of commercial radio jingles.
Apart from yacht racing, Ted Albert also owned a 1969 40 ft Halvorsen motorcruiser called "Colorado" (later renamed "Kookaburra") that could be seen plying the waters in and around Sydney Harbour.
Ted Albert was introduced to members of The Easybeats by mutual friend and band manager Mike Vaughn. Vaughn organised a private audition and a few days later the band was signed to a recording contract. Ted Albert produced the early Easybeats records and played on some of these early recordings. "Ted had an intuitive gift for selecting material, finding the right sound and honing the "feel" of a song. Alberts then signed the band to a recording contract with EMI's Parlophone label. In 1966, The Easybeats signed a five-year record distribution contract with United Artists Records to handle the band's international product distribution.
In a letter dated June 1964 addressed to Alberts' New York based lawyer, Alex Albert wrote in part:
Albert Productions was established as J. Albert & Son's A&R department in late 1964 with the sole intention of signing and recording Australian artists. Ted Albert was Albert Productions' first managing director. The company lacked any dedicated record facilities, but J. Albert & Son owned and operated Sydney commercial radio station 2UW, and made its studios and a theatre available to Albert Productions for recording and audition purposes. Later still, Alberts contracted EMI and its subsidiary Parlophone Records to handle record distribution. In late 1964 Billy Thorpe and the Aztecs was the first act to sign to the Alberts label.
Ted Albert joined the family music business, in the company which was then known as J. Albert & Son in the mid to late 1950s at a time when rock and roll was emerging into the music mainstream in the United States, Australia and Europe. The early 1960s heralded the arrival of the independent record producers Phil Spector and Joe Meek and later still Shel Talmy. As artists in their own right, they had complete control of the creative process and shaped the band's recording sound. J. Albert & Son considered the opportunities presented by the Australia teenager consumer market.
Ted Albert and his brothers Tony (1939–2000) and Robert were raised in the family home "Coolong" in the eastern Sydney suburb of Vaucluse.
Ted Albert was born in Sydney, the second of three sons to parents Alexis Albert (1904–1996) and his wife Elsie née Lundgren. The family's music publishing empire, J Albert & Son, was founded by Edward's great grandfather Jacques Albert. Jacques Albert migrated to Australia from Switzerland in 1884 and established a clock, watch and occasional violin repair business in King Street, Sydney. Later, with his son Frank, Jacques expanded the business and diversified into music publishing and sheet music retail. Frank also concluded music licensing arrangements with overseas publishers for Australia and New Zealand.