Age, Biography and Wiki
Tim Whitsett was born on 1943 in Mississippi. Discover Tim Whitsett's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 79 years old?
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Age |
79 years old |
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Born |
1943 |
Birthday |
1943 |
Birthplace |
Jackson, Mississippi |
Date of death |
January 15, 2022 |
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Nationality |
United States |
We recommend you to check the complete list of Famous People born on 1943.
He is a member of famous with the age 79 years old group.
Tim Whitsett Height, Weight & Measurements
At 79 years old, Tim Whitsett height not available right now. We will update Tim Whitsett's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Tim Whitsett Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Tim Whitsett worth at the age of 79 years old? Tim Whitsett’s income source is mostly from being a successful . He is from United States. We have estimated
Tim Whitsett's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
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Not Available |
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Tim Whitsett Social Network
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Timeline
Tim Whitsett (1943 – January 15, 2022) was an American music publisher, musician, songwriter, producer, author, and consultant. He was born in Jackson, Mississippi, the elder brother of Carson Whitsett.
In 2008, Whitsett's Big Mistakes: The Memoirs of Tyrone Hatchback, a novel, was published. That same year, Whitsett founded LocoBop which started out as a digital only record label, but has since began to release physical CDs as well. Artists include, among many others, Ivory Joe Hunter, The Bar-Kays, Rufus Thomas, Eddie Floyd, Jerry Butler, The Masqueraders, Carla Thomas, and Luther Ingram.
The label was later folded into the Malaco Music Group, with whom Whitsett became associated in 1998. In addition to his work with Malaco Records, Whitsett authored three music-publishing textbooks and a dictionary of music business terms, while actively maintaining his consulting services for music publishers and copyright investors.
In 1982, Whitsett set up a consultancy service for music publishers, which included specialized newsletters and target-marketing directories. Clients included EMI, Chappell, Gamble and Huff, Jobete, CBS Songs, Virgin, MCA, et al., as well as publishing companies owned by Paul McCartney, Michael Jackson and Elton John.
In 1976, Whitsett resigned as president of East/Memphis when offered the opportunity to run Chrysalis Music's European division in London. Six years later, he took another senior management position in London with Chappell Music, prior to its acquisition by Warner Music Group. He also forged a partnership with Chick Churchill, keyboardist with British rock group Ten Years After, in a record production and music publishing company, Whitsett Churchill Music.
Due to many personnel changes resulting from marriages and the military draft for the Vietnam War, Whitsett dissolved The Imperial Show Band. Shortly afterwards, in 1970, some demos the group had recorded ended up in the hands of noted producer Don Davis, who was then vice president of Stax Records. The MGs were breaking up. Booker T. Jones had just left the company, and Steve Cropper would soon follow. Davis wanted Whitsett’s band to augment The Bar-Kays as a second house band for Stax.
Until disbanding the group in 1969, Whitsett wrote, produced, arranged, or played on numerous records for other artists, including The Vels, Peggy Scott & Jo Jo Benson, Huey "Piano" Smith & The Clowns, Bobby Marchan, Junior Parker, Paul Davis, Barbara Lynn, Sam Myers, Dorothy Moore and others.
In 1966, at the peak of tensions in Mississippi over civil rights, Whitsett introduced two new singers to his band, Tommy Tate and Dorothy Moore, both black, and both later to achieve chart acclaim as solo artists. Considering the times and possible repercussions, the band from Mississippi was extremely well received by both black and white southerners, as well as audiences in the Great Lakes, Las Vegas, Hollywood, Lake Tahoe, New York City and elsewhere.