Tina Blondell

2018 Milwaukee Institute of Art & Design, WI, Humanly Possible, The Empathy Show

2018 Fine Arts, Minnesota State Fair, St Paul, MN (juried exhibition)

2017 Fine Arts, Minnesota State Fair, St Paul, MN (juried exhibition)

2016 Ann Arbor Art Center, Ann Arbor, MI, Real American (juried exhibition – honorable mention)

2015 Made Here – Brilliance, Minneapolis, MN

2015 Instinct Art Gallery,Minneapolis, MN, Humanly Possible, The Empathy Show

2014 Instinct Art Gallery,Minneapolis, MN, Heavy: The Metal Show

2012 Bloomington Art Center, Lace & Gunpowder: Male/Female Art Exhibition

2012 Catherine G Murphy Gallery, St Catherine University, Lace and Gunpowder

2011 Hennes Art Company, Minneapolis, MN (self portrait show)

2011 Hofstra Museum, Hempstead NY (four woman exhibit)

2010 Minneapolis Institute of Arts, Woman as Temptress in the Renaissance Tradition

2009 Plymouth Congregational Church Gallery, Minneapolis, MN (juried exhibition)

2009 Midwest Biennial, Wausau, WI, Jury awarded second place for “Urban American Gothic”

2009 Stephanie Roper Gallery, Frostburg State University, Frostburg, Maryland (four woman exhibit)

2009 Salisbury University Galleries, Salisbury, MD (four woman exhibit)

Blondell's works reflect a narrative style inspired by early art. Although her art is generally considered contemporary, she often quotes images from art history. She combines references to the past with a newer genre. Examples of her historical quoting include Urban American Gothic] (2008), which references Grant Wood's American Gothic from 1930. She also references historical and biblical stories such as Judith beheading Holofernes in her 1999 watercolor painting I'll Make You Shorter By a Head.

Many of the subjects in Blondell's paintings are inspired by her friends and acquaintances. Blondell's contemporary paintings often contain themes related to feminism and activism. In her painting Urban American Gothic (2008), she hints at the same-sex couple in the painting with a human rights logo on the cap. She represents women's empowerment through paintings like These Boots Are Made For Walking (2007). Many of these paintings celebrate women and womanhood.

2008 Atwood Gallery, St. Cloud State University, St. Cloud, MN

2008 Allen Gallery, Chelsea, NY (four woman exhibit)

2007 4 Star Gallery, Indianapolis, IN (three woman exhibit)

2006 Ferrara Museum of the Estense Castle, Ferrara, Italy

2003 Weisman Art Museum, Art Expo, Minneapolis, MN

2002 Boxheart Gallery, Pittsburgh, PA (juried exhibition)

2001 Minneapolis Institute of Arts, Recent Acquisitions, Minneapolis, MN

Aside from private collections, Blondell's work can be found in the permanent collections at the Minneapolis Institute of Art and the Weisman Art Museum. She also has public paintings in Hennepin County. These include Helping Hands at the Hennepin County Commissioners Office (2000) and the Hennepin County History Mural at the Hennepin County Government Center (2000).

2000 Atwood Gallery, St. Cloud State University, St. Cloud, MN

2000 Minneapolis Institute of Arts, Foot in the Door, Minneapolis, MN

1999 Minneapolis Government Center, Minneapolis, MN

1999 Minneapolis Government, Center, Minneapolis, MN

1996 Minneapolis College of Art & Design Gallery, Minneapolis, MN

1996 Central Presbyterian Art Gallery, Atlanta, GA

Tina Blondell (born 1953) is an Austrian/American painter. She was born in Salzburg, Austria, but spent the better part of her childhood in Italy where she was introduced to art. She moved to the United States, first to Washington, D.C. in 1971 and then to New Mexico in 1992. By the late 1990s, she had settled in Minneapolis, Minnesota. Her work has been exhibited nationally and internationally and her paintings are a part of many public collections, including in Minnesota at the Minneapolis Institute of Art and the Weisman Art Museum.

Blondell was born in Salzburg, Austria in 1953 to an American father and an Austrian mother. In 1957, she moved to Italy, where she lived until she was 18. In Italy, her father taught her how to draw, and she explored European art while traveling with her parents. Her interest and education in art was heavily influenced by seventeenth and nineteenth century artists such as Artemisia Gentileschi, Caravaggio, and Francisco Goya.