Age, Biography and Wiki
Tite Kubo was born on 26 June, 1977 in Fuchu, Hiroshima, Japan, is a Japanese manga artist. Discover Tite Kubo's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 47 years old?
| Popular As |
Noriaki Kubo (久保 宣章) |
| Occupation |
N/A |
| Age |
47 years old |
| Zodiac Sign |
Cancer |
| Born |
26 June 1977 |
| Birthday |
26 June |
| Birthplace |
Fuchū, Japan |
| Nationality |
Japan |
We recommend you to check the complete list of Famous People born on 26 June.
He is a member of famous Artist with the age 47 years old group.
Tite Kubo Height, Weight & Measurements
At 47 years old, Tite Kubo height not available right now. We will update Tite Kubo's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Tite Kubo's Wife?
His wife is unknown (m. 2012)
| Family |
| Parents |
Not Available |
| Wife |
unknown (m. 2012) |
| Sibling |
Not Available |
| Children |
Not Available |
Tite Kubo Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Tite Kubo worth at the age of 47 years old? Tite Kubo’s income source is mostly from being a successful Artist. He is from Japan. We have estimated
Tite Kubo's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Artist |
Tite Kubo Social Network
Timeline
His next series, Bleach, about a high school student who becomes a shinigami and fights creatures known as Hollows, began running in the same magazine in 2001. Kubo initially expected the series' serialization to continue no longer than five years. The original story concept was submitted to Weekly Shōnen Jump shortly after the cancellation of Zombiepowder, but was rejected. Akira Toriyama, creator of Dragon Ball, saw the story and wrote a letter of encouragement to Kubo. Bleach ran for 15 years of serialization and reached over 686 chapters from 2001 to 2016. Additionally, an anime adaptation of the series was broadcast in TV Tokyo for 8 years from 2004 to 2012, spanning over 366 episodes. The manga was named a winner of the Shogakukan Manga Award for its category in 2004. Kubo and Makoto Matsubara have co-authored two novelizations of the Bleach series, which were published by Shueisha under their Jump Books label. The first Bleach movie was released in Japan on December 16, 2006, followed by a second movie on December 22, 2007, a third on December 13, 2008, and a fourth on December 4, 2010. Kubo also appeared in the episode 112 of the Japanese radio program of Bleach B-Station. In that program, Kubo was interviewed by Masakazu Morita, voice actor of Ichigo Kurosaki, the main character of Bleach, and answered several questions from fans. On July 26, 2008, Kubo went to the United States for the first time and made an appearance at the San Diego Comic-Con International.
Tite Kubo (久保 帯人 , Kubo Taito, born June 26, 1977) is a Japanese manga artist. He is best known for his manga series Bleach, which has sold over 120 million copies as of 2018.
Kubo was born on June 26, 1977 in Hiroshima Prefecture, where his father worked as a town council member. In elementary school, he had already decided to become a manga artist, due to reading the manga Saint Seiya. His first one-shot was "Ultra Unholy Hearted Machine", written for the Weekly Shōnen Jump in 1996. He wrote his first manga Zombiepowder, which was also published in Weekly Shōnen Jump in 1999. It ran a short 27 chapters before being canceled in 2000. According to the author's commentary, Kubo was in a state of severe emotional trauma when he wrote it. Kubo later stated that he was not used to the magazine weekly serialization and used to pay more attention to his editor's comments rather than his own ideas.
