Tom Lovell

The Tom Lovell Collection of personal letters, photographs and scrapbooks containing tear sheets of his completed paintings is currently held at the Norman Rockwell Museum Archives' Reference Center Collection. In 2006, the NRM put several of Lovell's paintings on display as part of the exhibition "National Geographic: The Art of Exploration".

Lovell died in a car crash in New Mexico on 29 June 1997, aged 88. His 48-year-old daughter Deborah was also killed in the accident.

In 1973, he was invited to become a charter member of the National Academy of Western Artists, and is the only artist to twice receive their Prix de West Award. In 1974, he was elected to the Society of Illustrators' Hall of Fame, and in 1975, became a member of the Cowboy Artists of America. In 1992, he received the Robert Loughweed Award from NAWA as well as their Lifetime Achievement Award. In 1994, he displayed several pieces at the National Academy of Western Artists Show in Oklahoma City.

In 1969, under commission from the Abell-Hanger Foundation, Lovell produced a series of paintings commemorating the history of the Southwest that are now on permanent display at the Permian Basin Petroleum Museum, Midland, Texas. These works, a historical series about Native Americans, represent a turning point in the subject matter of Lovell's work. From this point on he concentrated on depictions of Native American life, exploration of the West, and Western art.

After 1936, Lovell progressed into providing illustrations for advertising agencies and slick magazines such as Redbook, Life, Collier's, The American, Woman's Home Companion, and Cosmopolitan. From 1940 onwards Lovell produced covers for several magazines including Ace-High Western, Clues, Complete, Detective Tales, Dime Detective, Rangeland Romances, Star Western, and Top-Notch. He also drew pen and ink interior illustrations for The Shadow, Courtroom Stories, Popular Western, Triple Western, and Clues.

Lovell married Gloyd "Pink" Simmons in 1934 and moved to Norwalk, Connecticut. They had two children, David and Deborah. In 1940 Lovell and his family moved to an artists colony at Westport, Connecticut, where he became close friends with Harold von Schmidt, John Clymer, and Robert Lougheed. In 1972, he moved to Santa Fe New Mexico. In 1977, he moved to a seven-acre site in Santa Fe and built an adobe house and studio.

In the early 1930s Lovell shared a studio space in New York with Harry Anderson and Al (Nick) Carter. He eventually moved to the artist colony of New Rochelle just outside New York City. New Rochelle was home to a number of other illustrators, including Norman Rockwell and Mead Schaeffer.

On illustrating for pulp magazines in the 1930s and 1940s: "Painting for the pulps was great training. You learned to tell a story in close compass. You couldn’t spread out over two pages, and you couldn't take three months to research it. You had to get the job out in ten days. This took discipline."

Lovell enrolled at Syracuse University in 1927, graduating in 1931. His college roommate Harry Anderson, classmate Elton Fax and teacher Hibbard V.B. Kline influenced his decision to become an illustrator. In his junior year at Syracuse, Lovell sold drawings to popular "pulp" Western, gangster and detective magazines.

Tom Lovell (5 February 1909 – 29 June 1997) was an American illustrator and painter. He was a creator of pulp fiction magazine covers and illustrations, and of visual art of the American West. He produced illustrations for National Geographic magazine and many others, and painted many historical Western subjects such as interactions between Indians and white settlers and traders. He was inducted into the Society of Illustrators' Hall of Fame in 1974.

Lovell was born in New York City on 5 February 1909 to Henry S. Lovell Jr., a telephone engineer, and Edith Scott (Russell) Lovell. He was the second of three children. He was a keen reader as a child, and although he received no early training in art, he often visited the Museum of Natural History in New York, beginning a fascination with Native American objects and weapons. In 1927, he was the valedictorian of his high school, and at graduation, he spoke on "the ill treatment of the American Indian by the U. S. Government." He attended Syracuse University from 1927 to 1931.