Tony Hoagland

Hoagland was born in Fort Bragg, North Carolina in 1953. His father was an Army doctor, so Hoagland grew up on various military bases in Hawaii, Alabama, Ethiopia, and Texas. He had an older sister, and a twin brother who died of a drug overdose in high school. He was educated at Williams College, the University of Iowa (B.A.) and the University of Arizona (M.F.A.). According to the novelist Don Lee, Hoagland "attended and dropped out of several colleges, picked apples and cherries in the Northwest, lived in communes, followed the Grateful Dead and became a Buddhist." He taught in the University of Houston creative writing program. He was also on the faculty of the low-residency Warren Wilson College MFA Program for Writers. Hoagland was married to Kathleen Lee, author of fiction, essays and travel writings. They had no children. He died in Santa Fe, New Mexico on October 23, 2018 from pancreatic cancer at the age of 64.

On February 4, 2011, Claudia Rankine presented a reading critical of how race is handled in Hoagland's poem "The Change" at the Associated Writing Programs Conference. Hoagland issued an open letter in response.

In 2010, Dwight Garner, a New York Times critic, wrote of Mr. Hoagland: “His erudite comic poems are backloaded with heartache and longing, and they function, emotionally, like improvised explosive devices: The pain comes at you from the cruelest angles, on the sunniest of days.”

In a 2002 citation regarding Hoagland's award in Literature, The American Academy of Arts and Letters said that "Hoagland's imagination ranges thrillingly across manners, morals, sexual doings, and kinds of speech lyrical and candid, intimate as well as wild."

Anthony Dey Hoagland (November 19, 1953 – October 23, 2018) was an American poet. His poetry collection, What Narcissism Means to Me (2003), was a finalist for the National Book Critics Circle Award. His other honors included two grants from the National Endowment for the Arts, a 2000 Guggenheim Fellowship in Poetry, and a fellowship to the Provincetown Fine Arts Work Center. His poems and criticism have appeared in such publications as Poetry Magazine, Ploughshares, AGNI, Threepenny Review, The Gettysburg Review, Ninth Letter, Southern Indiana Review, American Poetry Review and Harvard Review.