Ulrike Gabriel

Perceptual Arena is an interactive and immersive Virtual Reality installation developed by Ulrike Gabriel and otherspace in 1993 for the exhibition Artlab3, Hillside Plaza, Tokyo. This work has been further shown at V2 Exhibition Rotterdam, Le Manege Sallestrau Maubeuge, the Voyages Virtuales exhibitions in Paris, and at the Serious Chiller Lounge in Munich. Perceptual Arena is a realtime virtual environment that explores what the mind can do. This creates an audio-visual space texture that has the interaction of the user as an important attribute. The interaction is simply to be in the space, to distinguish it and to move around and to grab on to the resulting virtual clay. This defines the space and is what's used for the further interaction. The space matches the individual perception. The perceivable evolves through perception of it. To be involved and possibly mess up in this process can transform the world, but can also push it out of balance and therefore destroy. The use of polygons and sounds is created and always changing by the personal views. The viewer is the only thing that can manipulate what is happening. The complexity of the arena world results out of the total interrelation of all its factors which in the end all depend on the users input data. These are some things the viewers might encounter. The view onto the space, their movement in the space, a history of movement and view, a virtual sensor in the field of view which applies history onto the space, the total access with a data glove onto the space through the field of view, and the virtual clay which is object and result of all this factors.

In another work called Breath that was established in 1992 the human breath is explored. There are sensors that are used in this project on the belt that they wear that regulates breathing. The people who use them can alter the dynamics of the sounds that are being duplicated around them. The breathing causes the polygons in the computer-generated image to fluctuate. It is said that the more you breath regularly the more complicated and disorganized the visual and acoustic processes become. Ulrike Gabriel creates a complicated system of biofeedback that goes beyond normal relationships between action and reaction. The way interaction with human beings is being used is something that is explored way beyond a normal mind. Gabriel is using her mind to go beyond the depths and think outside the box. The way that breath in this project is being used is connected with virtual space in which the spectator experiences in a cybernetic world presenting images how breath mechanism can be linked with time. In the picture system, there are 400 polygons in the hyperplane that can move.

Ulrike Gabriel was born in 1964 in Munich and is an artist and researcher focussing on generative systems. Ulrike co-founded the laboratory Codelab, Berlin where she spent some time as a director. She also worked in ecological agriculture in Argentina from 2003 to 2006. Ulrike was also a professor at the University of Art and Design HfG Offenbach (2006-2012). At this university, she led the teaching area of Electronic Media. She studied philosophy at the Ludwig Maximilian University from 1983–1985 and painting and applied graphics at the Academy of Fine Arts from 1985-1991 in Munich. After that she was a post-graduate at the Institute for New Media at the Städelschule, Frankfurt (1991-1992) and a research fellow at the Academy of Media Arts Cologne, department for media science (1996-1998).