Vernon Ah Kee

In Ah Kee's 2020 exhibition, The Island, Andrew Brooks suggested that the show was criticising the romanticised, white settler mythology of Australia and was trying to remind the audience of Australia's indigenous presence. Unlike Frost, Brooks determined the inclusion of the Yuendumu doors to be "a powerful statement about the continuity of Indigenous sovereignty in this country", especially in their juxtaposition with the Walpiri Dreamtime paintings. Brooks judged that the contrast between the racist graffiti of Yuendumu doors and the "vibrant" Dreamtime paintings indicated that indigenous culture was more than what white Australian culture limited it to be.

In 2020 Ah Kee featured as one of six Indigenous artists in the ABC TV series This Place: Artist Series. The series is a partnership between the Australian Broadcasting Corporation and the National Gallery of Australia, in which the producers travelled to the countries of "some of Australia's greatest Indigenous artists to share stories about their work, their country, and their communities".

When Ah Kee was awarded the Redlands Konica Minolta Art Prize, one of the judges, National Art School Curator Judith Blackall, also noted the dual political and personal nature of Ah Kee's work and how it impacts the audience. In regard to his portrait of Lex Wotton, she stated that “Vernon’s masterful drawing technique of charcoal and acrylic paint on canvas goes from strength to strength. This portrait is particularly powerful as it shows Lex Wotton – who the artist knows well as he is married to Vernon’s cousin – in profile, with an intense gaze. Importantly, the story behind the portrait is of great significance, both personally for the artist and politically for Australia".

As of 31 December 2019, Ah Kee has displayed his art at 30 solo exhibitions and 100 group exhibitions, all around the world. He continues to create and exhibit his art in 2020, with plans to exhibit more of his work abroad. The following table lists his exhibitions to date.

He was awarded the Australia Council's Visual Arts Fellowship in 2018.

In 2018, Ah Kee was awarded a Visual Arts Fellowship by the Australia Council for the Arts. The fellowship is worth up to A$80,000 and awarded to prominent artists in mid-career. Ah Kee planned to use his fellowship grant to exhibit his work in England and at other galleries abroad, as well as to produce new artworks.

Ah Kee suffered a heart attack in 2016 but managed to recover in time for his 2017 exhibition Not an animal or a plant.

Dark + Disturbing is a curatorial project by Ah Kee. In August 2015, he mounted the exhibition Dark + Disturbing: Gordon Hookey for proppaNOW at theCairns Indigenous Art Fair, featuring the work of fellow collaborator in proppaNow, Gordon Hookey.

In 2014, his father died in a car accident. In 2017 Ah Kee drew Portrait of My Father, a task that he described as a "labour of love".

In 2014, the A$25,000 Redlands Konika Minolta established artist prize was awarded to Ah Kee for his charcoal rendition of Lex Wotton.

Ah Kee has also engaged with drawing and painting mediums to highlight the modern Indigenous experience. fantasies of the good is a series of 13 detailed charcoal life drawings of different members of Ah Kee's family, who are all identified by name. The series uses a mug-shot style and is suggested to reference the documentation of Indigenous Australians by some anthropologists in the twentieth century; the Indigenous people who were documented were unnamed and the works were rather referred to by numbers. Ah Kee wanted to convey Australia's history of racism and has stated that "These drawings and what they represent are my evidence".. His 2012 portrait, I see deadly people: Lex Wotton, depicted the titular man through bold paint strokes Ah Kee explained that Wotton's actions during the Palm Island Riots led to him being negatively misrepresented in the media, and the artist decided that "Lex should look bold and brave" in his portrait.

In 2012, Ah Kee was a finalist for the Art Gallery of New South Wales' Archibald Prize with his portrait I see deadly people: Lex Wotton. Wootton man is Ah Kee's cousin-in-law and was a key figure in the Palm Island Riots of 2004. In the same year, Ah Kee was also awarded Visual Artist of the Year in the Deadly Awards, the National Aboriginal & Torres Strait Islander Music, Sport, Entertainment & Community Awards.

At a Canberra proppaNOW exhibition in 2007, Ah Kee displayed his artwork You Deicide. Senior Curator at the National Museum of Australia, Margo Neale, suggested that the work's deliberate misuse of deicide was a comment on the role of Christian-based religions in the "cultural terrorism" of Aboriginal people, and that the manipulation of colonial language in the work was a common "tactical device used by the proppaNOW artists".

In 2003, Ah Kee, along with other Indigenous Australian artists Richard Bell, Jennifer Herd and Joshua Herd, created ProppaNOW – an organisation dedicated to supporting urban Indigenous artists in Brisbane and combating cultural stereotypes.

Many of his text-based artworks contain colonial language that have been manipulated and rewritten to create a secondary meaning, such as his 2003 austracism being a play on the word "ostracism", and 2009 becauseitisbitter appropriating a poem from American poet Stephen Crane to portray an Indigenous experience of contemporary Australia. It has been suggested that the black and white text introduces the concept of racial relations in Australia and that the word play makes the audience think more deeply on the issues represented. The Museum of Contemporary Art Australia described his text-based art as "...point[ing] to prejudices and agendas embedded in Australian society and politics. These puns and words-within-words fuse the history and language of colonisation with contemporary experiences and issues".

Along with Richard Bell, Jennifer Herd and Joshua Herd, all artists based in Brisbane, Ah Kee is a founding member of proppaNOW. Bell had stated in 2002: "Aboriginal art – its a white thing", saying that the industry was controlled by white people, a sentiment echoed by Ah Kee. The ProppaNOW artists seek to refute the white belief that remote Indigenous Australians are the only true Aboriginal people, and to re-establish the presence of urban Indigenous people in society. The founding members created the organisation after the government's Queensland Indigenous Artists Marketing Export Agency (QIAMEA) appeared to focus more on Indigenous artists from rural communities than on those from urban areas.

Ah Kee started his Bachelor of Visual Art at Queensland College of Art in Brisbane in 1996. He majored in Contemporary Indigenous Australian art and earned his degree in 1998. He then went on to do honours in fine art from 1999 to 2000, and then completed a doctorate in fine art from 2001 to 2007. During his studies, he had two solo exhibitions hosted at his college's art gallery as part of his postgraduate work – whitefella normal blackfella me in 2000 and con Text in 2007.

Vernon Ah Kee (born 1967) is an Australian award-winning artist, political activist and founding member of ProppaNOW. He is an Aboriginal Australian man with ties to the Kuku Yalandji, Waanji, Yidinji and Gugu Yimithirr peoples in Queensland, Australia. His art practice typically focuses on his Aboriginal Australian identity and place within a modern Australian framework. He is a contemporary artist, based primarily in Brisbane, and is regarded as one of Australia's most prominent, active artists. Ah Kee has exhibited his art at numerous galleries across Australia, including the Art Gallery of New South Wales (AGNSW) and the Museum of Contemporary Art Australia. He has also exhibited internationally, most notably at the 2009 Venice Biennale and the 2015 Istanbul Biennial, having been chosen to represent Australia.

Vernon Ah Kee was born in Innisfail, Queensland in 1967 to Merv and Margaret Ah Kee, who were Indigenous rights activists. Like most other Indigenous people in Australia, the family was not included in the population census until 1971. He is an Aboriginal Australian, of the Kuku Yalandji, Waanji, Yidinji and Ggu Yimithirr peoples in Queensland. He also has some Chinese ancestry from his great-grandfather, but Ah Kee has stated that he identifies more with his Indigenous heritage.