Age, Biography and Wiki
Vomir was born on 1973, is an artist. Discover Vomir's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 50 years old?
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50 years old |
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1973 |
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1973 |
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We recommend you to check the complete list of Famous People born on 1973.
He is a member of famous artist with the age 50 years old group.
Vomir Height, Weight & Measurements
At 50 years old, Vomir height not available right now. We will update Vomir's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Vomir Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Vomir worth at the age of 50 years old? Vomir’s income source is mostly from being a successful artist. He is from . We have estimated
Vomir's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
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Timeline
The Trou aux Rats project that he leads to keyboards and synthesizers allows him to consolidate his uniqueness and to perform in Tokyo in 2018.
In 2018, his works are exhibited at the University of Paris 8, as part of the exhibition "The constraints of the place". He also takes part in a conference cycle for the “Journée d'études Physique(s) du son” organized by the Espaces Sonores research group of the Rhine University of the Arts.
In 2017, he was invited by University College Cork to contribute to Paul Hegarty's research seminar "The absence of nothing sounds: Blanchot and the Performance of Harsh Noise Wall."
In 2014, he participated in the international conference "Bruit" organized by the ACTE Institute (Sorbonne Paris 1 & CNRS) and by the ENS Louis-Lumière, in partnership with INA and Volume!
Perrot created his own label in 2012 on which he produces his personal projects and collaborations.
He has been known as Roro Perrot since 2011. With this training, he initiated a musical experiment and founded the concept of "Folk à chier".
His first record was released on the Premier Sang label in September 2011.
In 2006 Perrot began going under the name Vomir. With this training, he worked on monolithic walls of static noise, and became one of the representatives of the harsh noise wall genre. He enjoys international recognition and performs regularly in France and abroad.
At a young age Perrot was heavily influenced by Pink Floyd and taught himself how to perform music in his childhood. In the 1990s, he moved closer to the experimental scene by frequenting artists Bimbo Tower, U-Bahn and Instants Chavirés, but it was through the discovery of Japanoise from Merzbow and Keiji Haino that he was introduced to the free improvisation and harsh noise genres. He became fond of The Rita and his self-titled genre "militant walls", which led him to term the genre harsh noise wall, which he began to produce under the stage name Vomir in 2006.
In the 1990s, he moved closer to the experimental scene by hanging out with Bimbo Tower, U-Bahn and Instants Chavirés. He listened to Songs of Praise on Aligre FM and attended live shows every Monday evening before joining the show between 1999 and 2005.
Romain Perrot (born 1973), better known by his stage name Vomir (French for "vomiting" or "regurgitate"), is a French noise music artist based in Paris. Since beginning his career in 1996, Vomir has appeared in over 300 releases, including singles, albums and collaborations with other noise artists. The majority of his albums were produced by his own independent label, Decimation Sociale. Vomir positions his approach to music as an "anti-" approach, with a radical and nihilist stance. He spearheads the harsh noise wall movement, an extreme subgenre of noise music which he describes as "no ideas, no change, no development, no entertainment, no remorse".
We find him during the conference "Audible spectra. Sound studies, listening cultures and sound arts" at INHA in collaboration with the Philharmonie de Paris and in connection with the international conference "Sensing the sonic: Histories of hearing differently (1800 -Now)" at the Center for research in the arts, social sciences and humanities (CRASSH).