Zhang Huan

He continued to explore Buddhism with sculpture Sydney Buddha (2015), an exhibition where two Buddha sculptures were positioned facing each other: "One, a headless metal statue. The other, a crumbling sculpture made from over 20 tonnes of incense ash, which was collected from Buddhist temples in Shanghai and across China’s Jiangsu and Zhejiang provinces."

 — Thom Collins, Witness (Museum of Contemporary Art, Sydney)

His sculpture Long Ear Ash Head (2007), for example, consists of a massive head made of incense ash and steel. It fuses the artist's image with the lengthened earlobes representing happiness and good fortune in the Buddhist religion.

Zhang returned to China in 2006 and took up sculpture after converting to Buddhism. He also involves the body in his sculptures; his earliest sculptures were giant copper hands and feet, magnified versions of fragments of broken Buddhist figures that he found in Tibet.

Thom Collins described the piece in a biographical writeup for the 2004 group exhibition Witness at the Museum of Contemporary Art, Sydney: "This work, a startling and visceral commentary on the Chinese government mandate of abortions for women conceiving more than the legal limit of one child, led to a quick closure of the exhibition and serious censure of the artist."

He has exhibited at shows including the 2002 Whitney Biennial and Rituals at the Akademie der Künste in Berlin.

He moved to New York City in 1998. Zhang continued his naked performance art in the United States with Pilgrimage — Wind and Water in New York (1998) and My America (Hard to Acclimatize) (1999).

In a piece titled To Add One Meter to an Anonymous Mountain (1995), he and nine other artists climbed a mountain near Beijing, stripped and lay down on top of one another to create a second, mini-peak. In another group performance called To Raise the Water Level in a Fishpond (1997), he asked 40 migrant laborers to stand in a pond so that their physical presence would raise the water level.

Zhang's performance art always involves his body in one way or another, usually naked, occasionally involving masochistic actions. For example, for 12 Square Meters (1994), the accompanying photography exhibit showed him as "a naked man, his head half-shaved, sitting in a prison-like space. His skin was wet and covered with flies. His face looked blank but tough, as if he were trying to meditate his way through pain."

Zhang Huan grew up with the experience of living in a crowded village area. He did not have much space for himself, which impressed the idea of China's overpopulation on him at young age. In 1994, Zhang Huan was in a small village in China and needed to use a restroom after lunch. He found a public restroom just off the street and went on in. Because of a lot of rain the village had been receiving, the restroom wasn't cleaned recently due to "weather precautions". As Zhang entered the restroom he found that it reeked with awful smells and flies were everywhere in the room. This experience reminded him of his childhood and the small crowded, unclean restrooms he used when he was growing up. "Once I stepped in, I found myself surrounded by thousands of flies that seemed to have been disturbed by my appearance. I felt as if my body was being devoured by the flies." This experience served as inspiration for the piece 12 Square Meters.

Angel, one of Zhang Huan's first performance art pieces, dates back to 1993 at the National Art Gallery located in Beijing, China. Zhang placed a giant white canvas on the floor of the exhibition space, then stepped out of the exhibition area and had a jar of red liquid (supposed to represent blood) and mangled doll parts poured over him. Afterwards, Zhang picked up the doll pieces and walked back to the exhibition space and onto the canvas, where he then tried to reassemble the doll back together on the canvas.

He received his B.A. from Henan University in Kaifeng (1988) and his M.A. from the China Central Academy of Fine Arts in Beijing (1993); he changed his name to Zhang Huan in the 1990s when he started his studies at the Central Academy.

Zhang Huan (Chinese: 張洹 ; born 1965) is a Chinese artist based in Shanghai and New York City. He began his career as a painter and then transitioned to performance art before making a comeback to painting. He is primarily known for his performance work, but also makes photographs and sculpture.