Age, Biography and Wiki
Andrés Jaque was born on 1971 in Madrid, Spain, is an architect. Discover Andrés Jaque's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 52 years old?
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| Age |
52 years old |
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| Born |
1971, 1971 |
| Birthday |
1971 |
| Birthplace |
Madrid, Spain |
| Nationality |
Spain |
We recommend you to check the complete list of Famous People born on 1971.
He is a member of famous architect with the age 52 years old group.
Andrés Jaque Height, Weight & Measurements
At 52 years old, Andrés Jaque height not available right now. We will update Andrés Jaque's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Andrés Jaque Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Andrés Jaque worth at the age of 52 years old? Andrés Jaque’s income source is mostly from being a successful architect. He is from Spain. We have estimated
Andrés Jaque's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
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Not Available |
| Source of Income |
architect |
Andrés Jaque Social Network
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Timeline
Jaque is the author of award-winning architectural projects, including the Reggio School (El Encinar de los Reyes, 2020), the Babin Yar Museum of Memory and Oblivion in Kiev, the Ocean Space for Thyssen-Bornemisza Contemporary Art (Venice, 2018), Casa Sacerdotal Diocesana de Plasencia; 2004. Teddy House (Vigo, 2003, 2005), Mousse City, (Stavanger, 2003); Peace Foam City (Ceuta, 2005); Skin Gardens (Barcelona 2006); the Museo Postal de Bogotá (Bogotá, 2007), Rolling House for the Rolling Society (Barcelona, 2009); the House in Never Never Land (Ibiza, 2009); the ESCARAVOX, (Madrid, 2012), Hänsel and Gretel's Arenas (Madrid, 2013), COSMO PS1 in New York, Rómola (Madrid, 2018) and RunRunRun (Madrid, 2019).
Andrés Jaque is an architect, writer and curator. In 2016, he was awarded with the 10th Frederick Kiesler Prize for Architecture and the Arts. In 2014, he won the Silver Lion to the Best Project at the 14th Venice Biennale. His work explores architecture as a cosmopolitical practice. In 2003, he founded the Office for Political Innovation, a trandisciplinary agency working in the intersection of design, research and environmental activism.
He is the Chief Curator of the 13th Shanghai Art Biennale, titled ‘Bodies of Water’, and co-curator of Manifesta 12 in Palermo, ‘The Planetary Garden. Cultivating Coexistence’.
Jaque has made regular contributions to both specialized and general media. With significant publications in leading architectural magazines such as El Croquis, Domus, Perspecta Yale, Thresholds Journal MIT, Log, Volume and Beyond; and regular works for broader audiences, including Babelia, the cultural supplement of El País, and La SER radio station where Jaque holds a regular participation on architectural and urban concerns. From 2013 to 2016 he published the periodic column "Cuarto de estar en la galaxia" in El País Senanal.
His 2012 intervention in the Barcelona Pavilion, ‘PHANTOM. Mies as Rendered Society’ made visible all the processes involved in the daily fabrication of the pavilion as an ordinary reality. Buckets, flags, chairs, old faded curtains, the salt that keeps the ponds pristine or the result of failed experiments carried out at the pavilion, were kept at the so far unnoticed basement. This work is part of the collection of the Art Institute of Chicago, and it is at shown as part of its permanent exhibition.
His work 'IKEA Disobedients' (Madrid, New York 2012) was the first architectural performance to be included in the MoMA's collection.
He has also developed a number of architectural experiments meant to interrogate architecture's political agency. The 12 Actions to Make Peter Eisenman Transparent, 2010, a project devoted to make public the political implications of the construction of the singular building site Cidade da Cultura in Santiago de Compostela. A series of actions described by Bruno Latour as a «beautiful mixture of art, politics and building-site».
