Angela Sykes

Sykes was awarded an honorary LLD from Queen's University Belfast in 1971. She died at Glenarm castle 27 August 1984, and was buried in the MacDonnell family graveyard.

An accident in 1962 left Sykes unable for carve due to damage to her hand. At that point she began then to model her figures to allow them to be cast in bronze.

In 1951 she exhibited at the first show of the Contemporary Ulster Group. Other displays of her work took place in the Institute of the Sculptors of Ireland (1953–7) and the Royal Ulster Academy of Arts (1956).

Throughout the years Sykes was integral to the art movement in Northern Ireland. She became an academician of the Royal Ulster Academy of the Arts in 1950, was on their art advisory committee. For many years she was a governor of the Belfast College of Art. From the foundation of Ulster Television in 1958, Sykes was one of the directors. She was also a trustee of the Ulster Museum, Belfast and was the chair of the museum's arts committee. She was President of the Institute of the Sculptors of Ireland in 1956. Sykes chaired the organising committee of Art in worship today, an exhibition of postwar church building and works of art, shown in Belfast in 1968. She served on the Northern Ireland Arts Council, and was a founder and first president of the Association of Ulster Drama Festivals.

Sykes exhibited Bronze head: Alexander (1948) and The descent from the cross (1949) at the Royal Hibernian Academy and they were the only two works shown there. In another solo exhibitions in 1950 among the sculptures displayed was the Belsen mother and child. It was based on her experiences in the war relief efforts. The exhibition was at the Gallery for the Council for the Encouragement of Music and the Arts (CEMA). In 1961 Sykes created the nativity scene design for the stained-glass window in the church of the Immaculate Conception in Glenarm. She created the bronze sculpture of St Patrick in his youth for St Mary's church, Feystown, Co. Antrim. The model for the piece was her own son Hector. She created the paint of the apocalypse on the chancel ceiling of Holy Trinity church, Edenbridge, Kent. In 1969 For the Broadway tower of the Royal Victoria Hospital, Belfast she created the Hand of healing sculpture.

Sykes was active in the Women's Voluntary Service in the second world war. She organised canteens and hostels as well as led a mobile hospital unit for rescued people from concentration camps through the Catholic Women's League in Ulster. Sykes served with Catholic Relief Services on missions in Holland and Germany at the end of the war. Sykes received the papal decoration Pro Ecclesia et Pontifice in 1947.

In 1934 she married Randal John Somerled MacDonnell, earl of Antrim with whom she had three sons, including the artist Hector McDonnell and heir Alexander McDonnell and one daughter. One of their sons lived for a day. Their home was Glenarm Castle in Co. Antrim. From 11 May 1934, Sykes married name became McDonnell and she was styled Countess of Antrim. Sykes became known for her witty caricature drawings which featured her relatives, such as The siege of Dunluce (c.1934–5).

In 1928 she showed Mother and child and Woman and child at the Royal Academy. Her first one-person show was almost ten years later, in 1937 at the Beaux Arts Gallery in London where she showed eighteen pieces of sculpture and five cartoon. Some of the pieces she carved displayed expressions of medieval sculpture while others were more political such as an anti—fascist piece depicting a figure in a German helmet which was smashed sometime after being rejected by the Royal Academy but displayed at Whitechapel Gallery.

Angela Christina MacDonnell, Countess of Antrim (6 September 1911 – 27 August 1984), also known as Angela Antrim, was Countess of Antrim, a sculptor, a cartoonist, and an illustrator.

Angela Christina Sykes was born 6 September 1911 at Eddlethorpe, near Malton in Yorkshire, as the fifth child and youngest daughter of a total of three sons and three daughters to Sir Mark Sykes, 6th Baronet of Sledmere, and Lady Edith Violet Sykes (née Gorst). She was educated privately before going to Brussels to train under Marnix d'Haveloose. After that she attended the British School in Rome for six months. When Sykes returned to London she established her own studio near Regent's Park. It was there she began to sculpt in stone.