Anthony Brandt

In addition to their collaboration on Maternity, David Eagleman and Brandt are the co-authors of the 2017 book The Runaway Species: How Human Creativity Remakes the World, described in Nature as "a lively exploration of the software our brains run in search of the mother lode of invention". Brandt is also a co-investigator in an NEA-funded research lab at Rice University which is "measuring the effects of music-making and music engagement on cognitive and social-emotional well-being."

Among Brandt's compositions are two chamber operas, an oratorio, and orchestral, chamber, and vocal music. One of his early commissions was from the Koussevitzky Foundation to compose a new string quartet for the FLUX Quartet, an ensemble specializing in contemporary music. His first chamber opera, The Birth of Something with a libretto by Will Eno, premiered on 24 February 2006 at the Hobby Center for the Performing Arts in Houston. It was subsequently recorded on the Albany Records label along with Brandt's The Dragon and the Undying for soprano and string quartet set to a poem by Siegfried Sassoon (a commission from the Bowdoin International Music Festival to celebrate its 40th anniversary) and the song cycle Creeley Songs for soprano and piano set to poems by Robert Creeley. His oratorio Maternity with a libretto by neuroscientist David Eagleman was premiered in 2012 by the River Oaks Chamber Orchestra who had commissioned the work. Brandt is also the artistic director of Musiqa, non-profit organization dedicated to the performance of contemporary classical music, which he co-founded in 2002. In 2013, Musiqa was a recipient of the ASCAP Adventurous Programming Award.

Brandt received his B.A. from Harvard University in 1983. After his graduation he spent a year in Paris studying on a fellowship at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM). On his return, he enrolled in the California Institute of the Arts where he studied composition under Mel Powell and received his M.A. in 1987. He continued his composition studies with Earl Kim at Harvard, receiving his Ph.D. in 1994. His doctoral composition was Septet-a-Tete for flute, bass clarinet, two percussion, piano, violin, and cello. In 1994 he also received a Tanglewood fellowship. Brandt held visiting lectureships at Harvard, Tufts, and MIT before joining the faculty of Rice University's Shepherd School of Music in 1998 as an assistant professor. He has remained at Shepherd ever since, eventually rising to a full professorship and becoming the school's Chair of Composition and Theory.

Anthony K. Brandt (born 1961) is an American composer, academic, and writer. He is Professor of Composition and Theory at Rice University's Shepherd School of Music and the co-author with neuroscientist David Eagleman of the 2017 book The Runaway Species: How Human Creativity Remakes the World. As a composer, his works include two chamber operas, an oratorio, and orchestral, chamber, and vocal music.