Age, Biography and Wiki
Ashley Fure was born on 1982. Discover Ashley Fure's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 41 years old?
Popular As |
N/A |
Occupation |
N/A |
Age |
41 years old |
Zodiac Sign |
N/A |
Born |
, 1982 |
Birthday |
|
Birthplace |
N/A |
Nationality |
|
We recommend you to check the complete list of Famous People born on .
She is a member of famous with the age 41 years old group.
Ashley Fure Height, Weight & Measurements
At 41 years old, Ashley Fure height not available right now. We will update Ashley Fure's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
Family |
Parents |
Not Available |
Husband |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Ashley Fure Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Ashley Fure worth at the age of 41 years old? Ashley Fure’s income source is mostly from being a successful . She is from . We have estimated
Ashley Fure's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
|
Ashley Fure Social Network
Timeline
Fure developed The Force of Things: An Opera in Objects about climate crisis in collaboration with her brother, architect Adam Fure. It is staged in an installation space set up as an immersive environment, placing the audience under a canopy of latex hides and hanging objects. The music for The Force of Things: An Opera in Objects is a combination of projected electroacoustic sounds and a live instrumental performance. According to the New York Times reviewer, Fure and her brother "have created an immersive experience that is claustrophobic and viscerally fraught. Their central invention is the use of massive subwoofer speakers that emit frequencies too low to be audible to the human ear, yet strong enough to set abuzz every object and diaphragm in the room." For the Wall Street Journal, "traditional musical instruments are, of course, mechanisms for vibration, and other composers have experimented with the musical properties of found objects in the past. Ms. Fure’s contribution is to suggest that the room itself was alive; that the pitches, rhythms and sensations generated by these seemingly inanimate objects have their own order and message, whether or not we can determine what it is." For The New Yorker's Alex Ross, "gender does not play an explicit role in The Force of Things, although Fure’s emphasis on the idea of empathy implies an opposition to the masculine megalomania of certain modernist predecessors."
Jaap van Zweden, the new director of the New York Philharmonic, chose Fure's orchestral score Filament to inaugurate his tenure in September 2018.
Her opera The Force of Things: An Opera in Objects premiered in Darmstadt, Germany, in 2016, and was performed by the International Contemporary Ensemble at Montclair State University in Montclair, New Jersey, in 2017. The opera had its New York premiere in August 2018 at the Mostly Mozart Festival.
Fure grew up in Marquette, Michigan, attended the Oberlin Conservatory of Music as an undergraduate, received her PhD from Harvard University and was a post-doctoral fellow at Columbia University. Since 2015, Fure is an assistant professor of music at Dartmouth College.
Ashley Fure (born 1982) is an American composer. She has received the Rome Prize and a Guggenheim Fellowship (2017), and her composition Bound to the Bow (2016) was a finalist for the 2017 Pulitzer Prize in Music.