Barbara Dickson

She was awarded the O.B.E. (Officer of the Order of the British Empire) in 2002 Queen's New Year's Honours List for her services to drama.

She was awarded the Laurence Olivier Theatre Award in 2000 (1999 season) for Best Actress in a Musical for her performance in "Spend Spend Spend" production at the Piccadilly Theatre in London, England.

Other TV and stage work, including the award-winning "7 Ages Of Woman", were combined with recording and concert work and in 1999 Barbara scored another huge success on the London stage with the lead role of Viv Nicholson in the new musical 'Spend, Spend, Spend'. The show won her Best Actress in a Musical at the Laurence Olivier and Critics' Circle Awards that year, and Barbara was honoured by the Queen with an OBE in the New Years' Honours the same year.

In 1995 Barbara accepted the role of Anita Braithwaite in Kay Mellor's gritty _"Band of Gold" (1995) (mini)_, about the lives of a group of Bradford prostitutes - the role won her great acclaim and the show went on to run for three series.

The early 1990s saw Barbara rethinking her career, and she began to move more towards her folk roots with 1992's "Don't Think Twice It's All Right" and 1994's "Parcel Of Rogues". Away from the pop treadmill, she diversified into acting more and more with parts on radio and television, including a guest role in STV's popular 'Taggart' series.

By 1987, tiring of record company politics, Barbara and Bernard decided to release future singles and albums through their own label, beginning with the live 'After Dark' album.

Barbara's 1985 duet with Elaine Paige, 'I Know Him So Well', from the musical 'Chess', reached number one in the UK singles' chart, clocking up sales of over 900,000 copies, and the 'Gold' album for K-Tel the same year achieved platinum status.

She was awarded the Laurence Olivier Theatre Award in 1984 (1983 season) for Best Actress in a Musical for "Blood Brothers.".

In 1983 Barbara accepted the lead role of Mrs. Johnstone in a new Willy Russell musical, 'Blood Brothers', which again opened in Liverpool. The show, which provided Barbara with her first major acting role, earned her rave reviews, a West End transfer and the first of many 'Best Actress' awards from the Society Of West End Theatres. Barbara was also firmly establishing herself as a must-see concert artist, with lengthy sold-out concert tours which took her to every major town and city within the UK, culminating in shows at London's prestigious Royal Albert Hall.

1982's phenomenally successful "All For A Song" collection cemented Barbara's status as a major recording artist.

1980's 'January, February' proved Barbara's biggest hit to date, and the accompanying LP, 'The Barbara Dickson Album' went gold in the UK.

Here the show was seen by Andrew Lloyd Webber and Tim Rice, who invited Barbara to sing on the studio cast recording of their new musical 'Evita' - the subsequent single, 'Another Suitcase In Another Hall', released early in 1977, became a huge hit.

1977 saw Barbara in Nashville recording the 'Morning Comes Quickly' album, but by 1978 she had signed to CBS/Epic Records and TV exposure in shows such as The Two Ronnies (1971) began her breakthrough to a much wider audience.

Barbara signed a deal with RSO Records, and in 1976 enjoyed her first commercial success, ahead of 'Another Suitcase. . . ', with the single 'Answer Me'.

Fate intervened one evening late in 1972 when Bernard Theobald attended one of Barbara's shows in Wolverhampton and offered to become her manager. So began a successful partnership which has endured thirty years. Around this time Barbara also became acquainted with Willy Russell, who managed a folk club in Runcorn and was himself touring the folk circuit with his group The Kirkby Town Three. The friendship led to Barbara being offered a major role in Willy's musical 'John Paul George Ringo. . . & Bert', which was to be staged by Liverpool's Everyman Theatre. Barbara was on stage throughout the entire show, singing The Beatles' songs at the piano, and the show became an instant success, quickly transferring to London's West End.

She cut three albums for Decca Records in the early 1970s, which were well-received but Barbara began to become disillusioned with the fading Scottish folk scene of the time, and on the advice of Hamish Imlach and Christy Moore she began to concentrate on the booming folk scene of the North of England.

Barbara Dickson was born on September 27, 1947 in Dunfermline, Scotland, the daughter of a policeman turned Rosyth dockyard worker. Barbara's mother was a housewife, and the family's strong interest in music led to Barbara taking up the piano from the tender age of five. By the age of twelve Barbara had also started to learn to play the guitar and upon leaving school at seventeen, she moved to Edinburgh combining a job in the Registrar General's office with evening spots as a folk singer in local pubs and clubs. When Barbara was offered a short-term contract singing at a club in Copenhagen, she was refused time away from her day job, and she resigned, deciding to try her luck as a professional singer. The mid-to late '60s saw Barbara "paying her dues" as a respected singer on the Scottish folk club circuit, enjoying some success, particularly with Archie Fisher and Rab Noakes.