Barbara Rütting

Was elected into the Landtag of Bavaria (state parliament) for the Green Party (September 2003).

Rütting retired from acting in 1984 and devoted her life to philanthropic environmental and animal-related causes (she was a vocal opponent of animal testing by pharmaceutical companies).

Becoming a well known human rights and animal welfare activist, she retired from acting in 1983.

Wrote the novel "Die maßlose Zärtlichkeit" (1970) and several successful children's and cook books.

Romantically linked to Lutz Hochstraate from 1969 to 1988.

's in Town Without Pity (1961), an American, Swiss, and West German international co-production, headlining Kirk Douglas and E. G. Marshall as opposing councils.

Barbara subsequently starred as the eponymous heroine in the second remake of the perennial Heimat-film classic Die Geierwally (1956) (though not surpassing the definitive 1940 performance by Heidemarie Hatheyer). She co-starred as an aggressive reporter investigating a case of gang rape by a quartet of G. I.

The latter included Helmut Käutner's Die letzte Brücke (1954). Her role as a Serbian student and member of a group of wartime partisans won her critical plaudits and the film itself was described as 'international masterclass' by a reviewer of the Welt publication.

Her later filmography encompassed diverse characters in films of widely varying genres and quality: Deadly Decision (1954) (as double agent Irene von Harbeck), Operation Crossbow (1965) (a supporting role, as German aviatrix Hanna Reitsch), River of Evil (1963) (a leading role, as a girl trying to solve the mystery of her father's death in the Amazon jungle), Der Zinker (1963), Das Phantom von Soho (1964) and Again the Ringer (1965) (a trio of Edgar Wallace-based crime thrillers with Rütting as the nominal female lead), plus heroines from the classics and historical figures including Lysistrata, Turandot and Madame Caillaux. On the stage she echoed the latter with roles in plays by Schiller, Ibsen and Strindberg.

Barbara Rütting was born Waltraut Irmgard Goltz in Wietstock (Brandenburg), the daughter of teachers. She grew up and went to school in Berlin and Luckenwalde in Brandenburg. After matriculating, she moved to Denmark where she sought employment and worked variously as a maid, as a librarian and as a translator. Following the end of World War II, Barbara returned to Berlin to study drama (abandoning her dream of becoming a medical doctor). In 1952, she made her screen debut in Postlagernd Turteltaube (1952) (promoted at the time as 'a comedy against fear') followed four years later by appearances on the German and Austrian stage. During this phase of her career, she came to specialise in women wrestling with difficult sociopolitical situations or affairs of the heart. Her roles ranged from naive heroines in Heimat films to self-assured ladies in more demanding fare.

After her graduation in 1945, she fled to Danmark, where she worked in a library and as foreign correspondent.