Belkis Ayón

A central theme of Ayón's art is Abakuá, a secret, exclusively male association with a complex mythology that informs their rites and traditions. The fraternal society began in Nigeria at Cross River and Akwa Ibom and was brought to Haiti and Cuba through the slave trade in the 19th century.

Her work can now be found in the permanent collections of a number of museums, including the Museum of Contemporary Art Los Angeles and the Museum of Modern Art in New York. From 2 October 2016 to 12 February 2017, the Fowler Museum staged Ayón's first solo museum exhibition with the help of her estate; the exhibition subsequently traveled to El Museo del Barrio in New York and the Kemper Museum of Contemporary Art in Kansas City, and was widely well-received. The first retrospective of her work in Europe showed 90 pieces of her work at the Reina Sofia museum in Madrid from 2021 until April 2022.

Ayón's work has been shown widely internationally. She has been featured in group exhibitions in Canada, South Korea, the Netherlands and Spain (2010). In 1993, she exhibited at the 16th Venice Biennale and won the international prize at the International Graphics Biennale in Maastricht, the Netherlands. Other Biennials she attended include the Havana Biennial, Bharat Bhavan International Biennial of Prints in India, and the San Juan, Puerto Rico Biennial of Latin American and Caribbean Engraving in which she was awarded a prize as well.

Ayón killed herself with a gunshot to the head at home in Havana on 11 September 1999. She was 32. Reasons for her suicide still remain a mystery to her friends and family. However,The New York Times obituary quotes her as saying of her art, in the year that she died:

In 1998 Ayón received four residencies in the United States working at Temple University's Tyler School of Art, Philadelphia College of Art, Rhode Island School of Design, and at the Brandywine Workshop. The same year she was elected Vice-President of the Association of Plastic Artists of National Union of Writers and Artists of Cuba.

By disrupting the male-dominated Abakuán mythology through the creation of a more egalitarian iconography, Ayón defied society's norms. To do this she sometimes mixed images from the Abakuán and Christian religions, as in Giving and Taking (1997). In this work she depicted a Christian priest or saint with a white halo and a red robe next to an Abakuán figure clothed in black, with a black diamond behind his head. She sometimes replaced male figures with female figures, as in La Cena, where she portrayed some of the disciples at the Last Supper with ambiguously gendered figures. She also replaced Jesus with the image of Sikan.

Ayón is best known for working mainly in black, white, and shades of gray. In these prints, stark and haunting white figures are dramatically contrasted with dark images and backgrounds. The prints feature both animals — such as snakes, fish, and goats — and human forms, references to art history, and religious iconography. Notable examples of her works include Longing (1988), Resurrection (1998) and Untitled ("Black figure carrying a white one") (1996). She did, however, use vibrant colors in some of her early works and in studies for prints. A notable example is La Cena (1991), a large-scale print for which she created a study in bright pink, red, yellow and green. Other examples of full-color work include Nasako Began (1986), Syncretism I (1986), and Careful Women! Sikan Careful!! (1987).

Belkis Ayón (23 January 1967 – 11 September 1999) was a Cuban printmaker who specialized in the technique of collography. Ayón created large, highly-detailed allegorical collographs based on Abakuá, a secret, all-male Afro-Cuban society. Her work is often in black and white, consisting of ghost-white figures with oblong heads and empty, almond-shaped eyes, set against dark, patterned backgrounds.

She was born in Havana, Cuba, in 1967. From 1979 to 1982: 20 she attended de Octubre Elementary School of the Arts, in Havana. For four years from 1982 to 1986 she attended San Alejandro Academy, Havana. From 1986 to 1991, Ayón attended the prestigious Instituto Superior de Arte in Havana where she gained a bachelor's degree in Engraving, and joined its faculty after graduation.