Bertina Lopes

She died in Rome in 2012 at the age of 86. Mozambican President Armando Guebuza described Lopes as 'a humble, creative, combative and generous woman, who always demanded of herself that she surpass her previous achievements'.

2002 – Silver Plaque by the President of the Republic of Italy, Rome

1998 – Premio Internazionale Arte e Solidarietà nell’Arca, Florence

1994 – Centro Francescano Internazionale di Studi per il dialogo fra i popoli (Franciscan International Study Center to promote dialogue among people), Assisi

1993 – Commander for Merits, appointed by Mario Soares, President of the Republic of Portugal, Lisbon

1991 – Rachel Carson Memorial Foundation World Prize, Rome

1988 – Grand Prix d’Honnoeur, European Union of Art Critics, Rome

In 1986 her first retrospective opened at Palazzo Venezia in Rome. In 1993 she was honoured as Commander for Merits by the President of the Republic of Portugal Mario Soares in Lisbon. In 1995 Lopes was the winner of the Gabriele D'Annunzio Prize in Rome. In 2002 she was honoured by Italian President Carlo Azeglio Ciampi for her contributions to the art. Lopes' last public appearance was at the Venice Biennale in 2011.

1975 – International Painting Prize, International Center of Mediterranean Art and Culture, Corfu (Greece)

1974 – Trullo D’Oro, Fasano di Puglia, Brindisi

1974 – La Mamma nell’arte, Comunità di Sant’Egidio, Rome

1958 – First Classified (Maior Mérito Artistico), Beira (Mozambique)

In 1956, Lopes painted a mural called "Pavilhão da Evocação Històrica" which was inaugurated on the occasion of an official visit of António de Oliveira Salazar to Maputo. Three years later, she was nominated president of the “Nùcleo de Arte” of Maputo and Vice President of “Direcção” of “Nùcleo de Arte”. Due to her association with de Lemos, and with the outbreak of the Mozambican War of Independence in sight, Lopes was forced to leave Mozambique in 1961. After a short period of time in Lisbon, she moved to Rome. In 1964 she married Francesco Confaloni, a computer engineer and art lover. During those times she befriended some of the protagonists of the Italian art scene, including Marino Marini, Renato Guttuso, Carlo Levi and Antonio Scordia. In 1965, Lopes obtained Italian citizenship. In 1979, Lopes paid a visit to Mozambique for the first time since her departure, and in 1982, her work was the subject of a large exhibition at the Museu Nacional de Arte Moderna in Maputo.

1953 – Medalha de Prata, Lourenço Marques (Mozambique)

1953 – Prémio Empresa Moderna, Lda., Lourenço Marques (Mozambique)

1950 – Painting Prize, Lourenço Marques (Mozambique)

Lopes' work was influenced by multiple sources, including Mozambican art and Portuguese modernism. Between 1946 and 1956, she embraced the art of Western painters and South American graffiti artists. Following Picasso's death in 1973, Lopes paid tribute to him with an intense painting that symbolized political repression in Spain. Once Lopes grew closer to antifascist circles, she started opposing the idea of "arte negra (black art) and found inspiration in the poetry of José Craveirinha and Noémia de Sousa, incorporating social themes into her work.

Bertina Lopes (July 11, 1924 – February 10, 2012) was a Mozambican-born, Italian painter and sculptor. Lopes' work displays a deep African sensibility with saturated colours and bold compositions of mask-like figures and geometric forms. She has been acknowledged for highlighting 'the social criticism and nationalistic fervour that influenced other Mozambican artists of her time'.

Lopes was born in Maputo (formerly known as Lourenço Marques), Mozambique, on July 11, 1924, to an African mother, whose family was locally known, and a Portuguese father, who was a fieldworker. She was educated in Maputo, but after her second year of senior high school, she relocated to Lisbon to complete secondary school, where she studied painting and drawing with Lino António and Celestino Alves and earned a degree in painting and sculpture. Around that time she met artists such as Marcelino Vespeira, Carlos Botelho, Albertina Mantua, Costa Pinheiro, Júlio Pomar and Nuno Sampayo. In 1953 Lopes returned to Mozambique, where she married poet Virgilio de Lemos, with whom she had twin sons. Lopes taught Artistic Drawing at General Machado Girls’ Technical School for nine years. Although she was appreciated for her innovative teaching skills, these would occasionally enter in conflict with the school ruling system. In 1955 de Lemos published an anti-colonial poem that resulted in a trial for desecration of the Portuguese flag. He subsequently joined the Mozambican Resistance (1954–61) and was arrested for subversion. The events reinforced Lopes' sympathy for the weak and oppressed fringes of the population – a subject that would often recur in her art. During this period of her life, cultural nationalism became a large influence for both her artwork and personal ideology.