Bob Wade (artist)

The Texas Book Festival chose Wade's “Let ’er Rip,” an image of a vintage cowgirl riding an oversized, bucking Texas horned frog, for its 2020 festival poster. During his last months of life Wade collaborated with over forty artists and writers on “Daddy-O's Book of Big-Ass Art”, a book featuring images and tales of more than a hundred of his most famous pieces. It was published ten months after his death in November, 2020.

Until his death in 2019, Bob Wade continued to produce his unique art. An example is his 2006 ‘Kinky Mobile’, a small tear drop trailer with a cowboy hat on top and a 3’ cigar sticking out the front, coinciding with Kinky Friedman’s run for Texas governor. Wade celebrated the installation of his iconic Iguana at the Fort Worth Zoo in June 2010, documented in these photos. A retrospective of his work was exhibited at the South Austin Museum of Popular Culture in the fall of 2009.

Wade lived and worked in Austin, Texas. Wade's work can be found at The Grove, a public art program at Waterside, in Fort Worth. Installed in 2016, this outdoor sculpture celebrates the area's history and is made from re-purposed amusement rides and playground equipment.

Wade was married twice, first to Sue Immel, ending in divorce. He met his second wife, Lisa Sherman, in 1982. By 1989 they were married and had a daughter. Wade is survived by two daughters.

In 1979 Wade created a pair of giant cowboy boots for a temporary public art installation in Washington DC. He had been selected to create a large sculpture by the Washington Project for the Arts. He chose cowboy boots because in his words, "Western chic was a huge trend". Completed using donated and scavenged materials, the boots stood nearly 40 feet tall and were installed on an empty lot near the White House at the northwest corner of 12th and G Streets NW. In January 1980, when the boots were due to be taken down, a property management company requested the boots for a shopping mall in Texas. The boots were moved to San Antonio's North Star Mall, where they stand today and are a beloved landmark. According to the Guinness World Record, this sculpture holds the record for the largest cowboy boot structure.

Wade's teaching career ended in 1977 when he turned his full attention to making his art. In 1979 Wade began a series of canvases that would expand this technique. Wade decided to enlarge a 1922 postcard of cowgirls onto a photo emulsion canvas and hand-tint it in vivid colors. This accentuated the details in the women's faces and clothes. This was Wade's tribute to the American cowgirl, a subject that entered a revival about that time. A book of these works, Cowgirls, was published in 1995.

Wade served as an art ambassador, serving up Texas culture for art audiences nationally and internationally. In 1976 Wade returned to the Bay Area to recreate a Texas honky-tonk in the midst of the San Francisco Museum of Modern Art, cantilevered a taxidermied rodeo horse to a wall in the Tex-Lax exhibition at Cal State-Los Angeles, and turned the Lone Star state itself into a roadside attraction for the French with his Texas Mobile Home Museum in the Paris Biennale of 1977. A 1976 documentary by Kenneth Harrison, 'Jackelope', focused on Wade, George Green, and James Surls. In the documentary Wade goes on a road trip across the state collecting materials for a display of Texas culture in a New York art museum. Another documentary on Bob Wade's career, "Too High, Too Long and Too Wide," is by New York filmmaker Karen Dinitz and features his road trip across Texas in his Iguanamobile.

Following his time in Berkeley, Wade returned to Texas to make art and teach in Waco, Dallas, and the University of North Texas, successively. Wade helped create a small art community in the Oak Cliff area of Dallas with artists, George Green, Jim Roch, and Jack Mims. They became known as the Oak Cliff Four. Together they booked gallery shows and a group show at the Tyler Museum. In 1971, Dave Hickey’s South Texas Sweet Funk exhibition at Austin's St. Edwards University catalyzed the art scene developing out of the Texas counterculture, bringing the Oak Cliff Four together with Jim Franklin, Gilbert Shelton, Luis Jiménez, and others. Wade soon turned to a new process with his work in photo-emulsion canvases, which quickly drew attention in the larger art world. One piece, ‘Gettin’ It on Near Cedar Hill’, a depiction of two heifers in a rather indelicate position, appeared in Art Forum in 1971, and was reviewed by Robert Pincus-Witten. Continuing this technique, Wade transferred vintage and Texas themed photos to photo-emulsion canvases on a large scale and applied color. These works include photos such as Mexican revolutionaries, a cowboy band, Texas boys and their guns, Yaquis, and his most well known, the 10' wide canvas, ‘Cowgirls on Harleys’.

When Bob arrived Austin in 1961 to attend the University of Texas he was driving a decade-old, customized Ford Crown Victoria hot rod. His slicked back hair, the hot rod and his El Paso style earned him the nickname of "Daddy-O" from his Kappa Sigma His fraternity brothers.

Bob "Daddy-O" Wade (January 6, 1943 – December 23, 2019) was an American artist, based in Austin, Texas, who helped shape the 1970s Texas Cosmic Cowboy counterculture. He is best known for creating whimsical out-sized sculptures of Texas symbols. He was known for his uninhibited style and received attention as a serious artist in some art circles. He hand-tinting large photo-emulsion canvases of vintage photographs, some of which were exhibited at the Whitney Museum of American Art. His 40-foot-long (12 m) giant iguana, known as "Iggy", sat on top of the Lone Star Cafe in New York City from 1978 to 1989.

Robert Schrope Wade was born in Austin, Texas on January 6, 1943. Son of a hotel manager, Wade grew up in several Texas cities. This early hotel life contributed to Wade's interests in the American road and highway kitsch.