Age, Biography and Wiki

Brenda Agard was born on 20 August, 1961 in British, is a British photographer. Discover Brenda Agard's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 59 years old?

Popular As N/A
Occupation photographer
Age 51 years old
Zodiac Sign Leo
Born 20 August, 1961
Birthday 20 August
Birthplace N/A
Date of death October 29, 2012
Died Place London, England
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 20 August. She is a member of famous Photographer with the age 51 years old group.

Brenda Agard Height, Weight & Measurements

At 51 years old, Brenda Agard height not available right now. We will update Brenda Agard's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Brenda Agard Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Brenda Agard worth at the age of 51 years old? Brenda Agard’s income source is mostly from being a successful Photographer. She is from United Kingdom. We have estimated Brenda Agard's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Photographer

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Timeline

2013

Four poems by Agard – "Nobody", "Business Partners", "Nothing Said", and "Black Truth" – are collected in the anthology Watchers and Seekers: Creative Writing by Black Women, edited by Rhonda Cobham and Merle Collins.

2011

In 2011, the Tate Britain exhibited a retrospective of shows curated by Himid in the 1980s titled Thin Black Line(s). Agard's photography was involved in two of the three shows referenced in the exhibit: The Thin Black Line and Black Woman Time Now.

1988

Forty-one photographs taken by Phil Polglaze at the South London Art Gallery on 8 September 1988 during the private view of the exhibition Influences: The Art of Sokari Douglas Camp, Keith Piper, Lubaina Himid, Simone Alexander, Joseph Olubo, Brenda Agard. Several photographs are of the artists with his or her artwork, including Agard.

1987

Agard was a founding member of Polareyes: A Journal by and about Black Women Working in Photography. The publication launched in 1987 with an editorial group including Brenda Agard, Similola Coker, Mumtaz Karimjee, Jenny McKenzie, Lesley Mitchell, Amina Patel, Samena Rana, Molly Shinhat, and Maxine Walker. The inaugural issue included an essay by Agard titled "Photography: An Extension of" which outlined her intentions as a photographer.

1985

Later in 1985, Agard participated in the seminal show The Thin Black Line at the Institute of Contemporary Art London, curated by Lubaina Himid, who wrote in the forward to the exhibition's catalogue: "We are eleven of the hundreds of creative Black Women in Britain. We are here to stay."

1980

Agard participated in several group shows in the burgeoning Black Arts movement in London in the 1980s, an early example of which was Mirror Reflecting Darkly, a 1985 group show at the Brixton Art Gallery organized by eleven black women. The stated goal of the show was to "exhibit the diversity within the concept of black women and challenge people's expectations, perpetuated by stereotypes."

1961

Brenda Patricia Agard (20 August 1961 – 29 October 2012) was a Black-British photographer, poet and storyteller who was most active in the 1980s, when she participated in some of the first art exhibitions organized by Black-British artists in the United Kingdom. Agard's work focused on creating "affirming images centred on the resilience of the Black woman," according to art historian Eddie Chambers.