Candice Breitz

Breitz's 2016 seven-channel installation, Love Story, shares the personal narratives of six individuals who have fled their countries in response to a range of oppressive conditions: Sarah Ezzat Mardini, who escaped war-torn Syria; José Maria João, a former child soldier from Angola; Mamy Maloba Langa, a survivor from the Democratic Republic of the Congo; Shabeena Francis Saveri, a transgender activist from India; Luis Ernesto Nava Molero, a political dissident from Venezuela; and Farah Abdi Mohamed, an idealistic young atheist from Somalia.

Candice Breitz currently lives in Berlin, and has been a tenured professor at the Braunschweig University of Art since 2007. Breitz uses found video footage, appropriating video from popular culture. Breitz is represented by White Cube (London), Kaufmann Repetto (Milan) and the Goodman Gallery (Johannesburg + Cape Town). Breitz holds degrees from the University of the Witwatersrand, the University of Chicago, and Columbia University. She has been holding lectures and workshops at institutions such as Zentrum Paul Klee, Stony Brook Manhattan, Smith College Museum of Art, and the mentorship program Forecast.

Perryer, Sophie (2004). 10 Years 100 Artists: Art In A Democratic South Africa. Cape Town: Struik. ISBN 1868729877.

Candice Breitz (born 1972, Johannesburg) is a South African artist who works primarily in video and photography. She won a 2007 Prince Pierre de Monaco Prize. Her work is often characterized by multi-channel moving image installations, with a focus on the “attention economy” of contemporary media and culture, often represented in the parallelism of the identification with fictional characters and celebrity figures and widespread indifference to global issues. In 2017, she was selected to represent South Africa at the Venice Biennale.