Age, Biography and Wiki

Carmel Vitullo is a renowned American photographer who has been active in the field since the 1950s. She is best known for her black and white photographs of everyday life in the United States. Born on July 16, 1925, in Rhode Island, Vitullo was raised in a family of Italian immigrants. She began her career as a photographer in the 1950s, when she was in her twenties. She was inspired by the work of photographers such as Edward Weston and Ansel Adams, and her work was heavily influenced by their style. Vitullo's work has been featured in numerous exhibitions and publications, including the Museum of Modern Art in New York, the Smithsonian Institution in Washington, D.C., and the International Center of Photography in New York. She has also been the recipient of numerous awards, including the Guggenheim Fellowship in Photography in 1975. Vitullo is currently 98 years old and has an estimated net worth of $1 million. She is currently living in Rhode Island.

Popular As N/A
Occupation N/A
Age 99 years old
Zodiac Sign Cancer
Born 16 July, 1925
Birthday 16 July
Birthplace N/A
Nationality Rhode Island

We recommend you to check the complete list of Famous People born on 16 July. She is a member of famous photographer with the age 99 years old group.

Carmel Vitullo Height, Weight & Measurements

At 99 years old, Carmel Vitullo height not available right now. We will update Carmel Vitullo's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Carmel Vitullo Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Carmel Vitullo worth at the age of 99 years old? Carmel Vitullo’s income source is mostly from being a successful photographer. She is from Rhode Island. We have estimated Carmel Vitullo's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income photographer

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Timeline

1950

In the 1950s Vitullo approached Edward Steichen with her portfolio. He selected her photograph of displaced refugees at Grand Central Terminal en route to a relocation centre, for the Museum of Modern Art world-touring exhibition The Family of Man, which was seen by 9 million visitors. Her print was exhibited in the section ‘Rebels’ at the end of a row of six, hard against the adjoining wall, in sympathy with the entrapment of the subjects who are seated, frieze-like, along a bench parallel to the picture plane. Stacked on a cart in front of them are their suitcases labeled with stickers of the NCWC (National Catholic Welfare Conference), the social Catholic organization helping immigrants relocate to the United States and confirming their identity as immigrants. Disquieting, confusing spots of light from the skylight fall across the scene and add to the pervasive anxiety evident in the expressions of the men, women, and children. The inclusion in The Family of Man and its accompanying catalogue (which has never been out of print) came as a breakthrough for Vitullo. Since then she has exhibited alongside Harry Callahan, O. Winston Link and others and her work has been collected by major institutions.

1925

Carmel Vitullo (born July 16, 1925) is an American street photographer whose imagery of Rhode Island have been acquired for a number of collections.

Carmel Vitullo was born in Providence, Rhode Island on July 16, 1925 into the small Italian community of Federal Hill. After high school Vitullo enrolled in a major in painting at the Rhode Island School of Design (RISD), but abandoned it for the medium of photography about which she was more passionate. In further study at the New York Institute of Photography she discovered the work of Henri Cartier Bresson and she continued to be an exponent and practitioner of street photography. A majority of her photographs depict the neighbourhood of Rhode Island in the 1950s and the first Newport Jazz Festival. She ran a studio in a South Water Street warehouse in the 1960s. Her commercial practice was in portrait and industrial photography and in her sixties after her retirement, and while living in North Providence, she was working as a producer in cable television.

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