Age, Biography and Wiki
Carol Yinghua Lu was born on 1964. Discover Carol Yinghua Lu's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 59 years old?
| Popular As |
N/A |
| Occupation |
art curator, art critic |
| Age |
59 years old |
| Zodiac Sign |
N/A |
| Born |
, 1964 |
| Birthday |
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| Birthplace |
Chaozhou |
| Nationality |
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We recommend you to check the complete list of Famous People born on .
She is a member of famous with the age 59 years old group.
Carol Yinghua Lu Height, Weight & Measurements
At 59 years old, Carol Yinghua Lu height not available right now. We will update Carol Yinghua Lu's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Carol Yinghua Lu Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Carol Yinghua Lu worth at the age of 59 years old? Carol Yinghua Lu’s income source is mostly from being a successful . She is from . We have estimated
Carol Yinghua Lu's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
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Carol Yinghua Lu Social Network
Timeline
Lu is currently a contributing editor at Frieze (magazine), a London-based art magazine, co-founder and co-editor of Contemporary Art & Investment magazine, and sits on the editorial board for the Arnolfini Art Center’s Far West magazine.
Lu was a Co-Artistic Director of ROUNDTABLE: The 9th Gwangju Biennale (Korea, 2012) through which her focus developed around the ways in which the de-bordering and loosening of economic, sovereign, social, cultural and historic frameworks by digitization, global trade and political movements challenges our ideological and national logics.
In 2011 Lu was part of the selection panel for the 54th Golden Lion Award at the Venice Biennale. She has curated exhibitions with artists such as Louise Bourgeois, Francesco Clemente, Béatrice Cussol, Chen Man, Jan Saudek, Rosemarie Trockel, Andy Warhol, Gao Yu, Zhuang Hui, Chen Shaoxiong, Leng Wen, Yan Xing, Lu Zhengyuan, Martha Rosler, Gao Shiming, the Raqs Media Collective, Hu Fang, and Dan'er. Lu's book on the work of Chinese artist Wang Yin (born 1964) situates his work within the historical context of twentieth-century Chinese painting, as well as broader shifts in modern Chinese culture.
From 2009-2010, Lu was the founder and Art Director of SUITCASE ART PROJECTS, a project space of Today Art Museum. In 2007 she was one of three curators of the 7th Shenzhen Biennale, titled “Accidental Message: Art Is Not A System, Not A World” and conceived to include two subthemes: “Unexpected Encounters” and “What You See is What I See”. As the starting point for her curatorial research, Lu, along with her colleagues Liu Ding and Su Wei focused on experimental art practice in China since 1989 to 2000 to shape an observation of a local history, trying to look back on individual practices and art itself during this period of time. "Little Movements: Self-Practices in Contemporary Art", the project she and Liu Ding initiated and curated together, was exhibited at the OCT Contemporary Art Terminal in Shenzhen in September 2011, and will go on an international tour from 2012.
Lu was born in Chaozhou, Guangdong, China, in 1977. Lu graduated from the critical studies programme of Malmö Art Academy at Sweden’s Lund University in 2005 and served as a China Researcher for Asia Art Archive from 2005 to 2007.
