Age, Biography and Wiki

Caroline Levine was born on 12 December, 1970 in Syracuse, New York, U.S., is a Professor. Discover Caroline Levine's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 53 years old?

Popular As N/A
Occupation Professor, author
Age 53 years old
Zodiac Sign Sagittarius
Born 12 December, 1970
Birthday 12 December
Birthplace Syracuse, New York, U.S.
Nationality United States

We recommend you to check the complete list of Famous People born on 12 December. She is a member of famous Professor with the age 53 years old group.

Caroline Levine Height, Weight & Measurements

At 53 years old, Caroline Levine height not available right now. We will update Caroline Levine's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Caroline Levine Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Caroline Levine worth at the age of 53 years old? Caroline Levine’s income source is mostly from being a successful Professor. She is from United States. We have estimated Caroline Levine's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Professor

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Timeline

2016

Levine assumed her position as David and Kathleen Ryan Professor of the Humanities at Cornell University in 2016, and worked as the Picket Family Chair of the English Department from 2018 to 2021. Prior to her work at Cornell, Levine taught at the University of Wisconsin–Madison from 2002 to 2016, and worked as the chair of the English Department from 2013 to 2016. She held previous appointments in the English Department at Rutgers University–Camden (1998–2002) and Wake Forest University (1997–1998).

2015

In Forms: Whole, Rhythm, Hierarchy, Network (2015), Levine argues that forms organize not only works of art but also political life – and our attempts to know both art and politics. Inescapable and frequently troubling, forms shape every aspect of our experience. Yet, forms don't impose their order in any simple way. Multiple shapes, patterns, and arrangements, overlapping and colliding, generate complex and unpredictable social landscapes that challenge and unsettle conventional analytic models in literary and cultural studies. Borrowing the concept of "affordances" from design theory, this book investigates the specific ways that four major forms – wholes, rhythms, hierarchies, and networks – have structured culture, politics, and scholarly knowledge across periods, and proposes new ways of linking formalism to historicism and literature to politics. Levine rereads both formalist and antiformalist theorists, including Cleanth Brooks, Michel Foucault, Jacques Rancière, Mary Poovey, and Judith Butler, and offers accounts of a wide range of objects, from medieval convents and modern theme parks to Sophocles’s Antigone and the television series The Wire.

2007

Provoking Democracy: Why We Need the Arts (2007) considers public controversies over art objects, including public art, copyright, propaganda, and obscenity. It argues that all of these cases revolve around the democratization of culture. Obscenity law first emerges when books start to circulate widely, beyond elites. Our own prevailing definition of art – as that sphere of culture that challenges the majority – comes from the moment of mass democratization of literacy and media in the late nineteenth century. Levine argues that we are still working with the logic of the avant-garde. Even art objects that aren't themselves aren't avant-garde in style or intent are always justified as being ahead of their time, as breaking from convention, and challenging the mainstream.

2003

Levine has published three books of literary criticism: The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003), which won the Perkins Prize for Best Book in Narrative Studies; Provoking Democracy: Why We Need the Arts (2007); and Forms: Whole, Rhythm, Hierarchy, Network (2015), which was awarded the James Russell Lowell Prize from the Modern Language Association and the Dorothy Lee Award for Outstanding Scholarship in the Ecology of Culture. Flavorwire named Forms as one of the "10 Must-Read Academic Books of 2015," and the book was widely reviewed in venues such as PMLA, the Los Angeles Review of Books, the London Review of Books, and The Times Literary Supplement.

The Serious Pleasures of Suspense: Victorian Realism and Narrative Doubt (2003) connects narrative suspense to scientific experimentation. At the same moment that Victorian philosophers of science were arguing that rigorous scientists needed to suspend judgment (testing a hypothesis and waiting to see the results before asserting anything about the world, rather than just leaping to conclusions), novelists were structuring their plots around moments of suspense. Suspense is a narrative strategy of hinting and withholding, inviting readers to speculate about the truth, and so teaches audiences to behave like scientists: to wonder, hypothesize, and then wait for the truth. The Victorian novel — and suspense fiction ever since — helped to democratize and popularize the scientific method.

1992

Born Syracuse, New York, Levine received her AB in comparative literature from Princeton University in 1992. She received her Doctor of Philosophy degree in English from the Birkbeck, University of London, in 1996.

1970

Caroline Levine (born December 12, 1970) is an American literary critic. She is the David and Kathleen Ryan Professor of Humanities at Cornell University. Her published works are in the fields of Victorian literature, literary theory, literary criticism, formalism, television, and climate change.