Cathleen Nesbitt

She was awarded the CBE (Commander of the Order of the British Empire) in the 1978 Queen's New Year Honours List for her services to drama.

At the instigation of her friend, Anita Loos, author of "Gentlemen Prefer Blondes", Nesbitt wrote her memoir, 'A Little Love and Good Company', in 1977. For her extraordinarily long career in the acting profession, she was awarded a CBE in the Queen's Honours List the following year.

One of her last roles of note was as the elderly wealthy Julia Rainbird, who instigates the plot in Alfred Hitchcock's final film, Family Plot (1976).

In addition to prolific appearances in anthology television, she also appeared in several big budget films, most memorably as Cary Grant's perspicacious grandmother in An Affair to Remember (1957) and as gossipy Lady Matheson (alongside Gladys Cooper ) in Separate Tables (1958).

Her strengths were rather better showcased during her sojourn in Hollywood, which began in 1952.

She then absented herself from the screen for the next decade, resurfacing in supporting roles in British films, though rarely cast in worthy parts, possible exceptions being Man of Evil (1944) and Jassy (1947).

Had a small part in Pygmalion (1938) and later played Higgins mother in the 1956 musical stage version of "My Fair Lady".

Her daughter by Cecil Ramage, Jennifer Ramage (born 24th September 1928, London) was a famous radio actress, character-impressionist and comedienne, as well as a thriller novelist under a pseudonym.

She repeated her original stage role as Henry Higgins' mother in the stage musical "My Fair Lady" on its 25th anniversary. She was well into her nineties, acting alongside a 70-ish Rex Harrison.

Her first motion picture role was a lead in the drama The Faithful Heart (1922), adapted from an Irish play.

This was followed in November 1911 by her Broadway debut with the touring Abbey Theatre Players in 'The Well of the Saints'. From here on, and for the rest of her long life, she was never out of a job, demonstrating her range and versatility by playing everything from villainesses to being a much acclaimed Kate in Shakespeare's 'The Taming of the Shrew', Perdita in Shakespeare's 'The Winter's Tale', the great-aunt and tutor in the art of courtesanship of the title character in 'Gigi', the Dowager Empress in 'Anastasia', and the gossipy 'humorously animated' Julia Shuttlethwaite of T. S. Eliot's 'The Cocktail Party'. Her Mrs. Higgins in 'My Fair Lady', Brooks Atkinson described as played with 'grace and elegance', which also pretty much sums up Cathleen's career in films.

Cathleen's first appearance on stage was in 1910 at the Royalty Theatre in London.

Genteel Cathleen Nesbitt was a grand dame of the theatre on both sides of the Atlantic in a career spanning seven decades. Among almost 300 roles on stage, she excelled at comic portrayals of sophisticated socialites and elegant mothers. Hollywood used her, whenever a gentler, sweeter version of Gladys Cooper was needed, yet someone still possessed of a subtly sarcastic wit and turn of phrase. She attended Queen's University in Belfast and the Sorbonne in Paris. Encouraged by a friend of her father - none other than the legendary Sarah Bernhardt - to enter the acting profession, she was taken on by Victorian actress and drama teacher Rosina Filippi (1866-1930).