Chandran Nair

Since moving to the Paris he has continued painting and writing but has not published, though he has been included in a number of anthologies including "Calling of the Kindred" (Cambridge Universities Press, 1993), and has been featured in "Reworlding" :an anthology reviewing the writing of expatriate Indians, edited by Emmanuel S Nelson (Greenwood Press, New York, 1992). He is also included in "Idea to Ideal", FirstFruits, Singapore 2004 - 12 Singapore poets on the writing of their poems(edited by Felix Cheong) and in "Journeys : An Anthology of Singapore Poetry" edited by Edwin Thumboo, 1995.

He studied at Raffles Institution and University of Singapore from which he holds a Masters in Science (Marine Biology) and a Diploma in Fisheries (with distinction) but went into publishing on his graduation and worked as an international civil servant with UNESCO, first in Karachi (1981-1985), where he started painting, and then in Paris (1985 - 2004), where he now lives.

He was founder President of the Society of Singapore Writers from 1976 to 1981.

. . . of all the Indians writing in English in Singapore, it is Chandran Nair, I believe, who may be said to be the most "Indian" in terms of literary expression. His two collections of poetry, "Once the Horsemen and other Poems (1972)" and "After the Hard Hours this Rain (1975)", reveal fairly explicit references to Indian myths, legends, landscape and spirituality. In an early poem (Grandfather) written for his grandfather, Nair clearly registers the Indian nostalgia felt deeply in contemplation. The poem is suggestive also of the position Nair himself seems to have adopted in relation to living in an environment which does not always appreciate the commitment of becoming a sensitive soul.(Reworlding: The Literature of the Indian Diaspora, edited by Emmanuel S Nelson.)

. . . Much of Chandran Nair's poetry is exploration. "Once the Horsemen" (1972) communicates the variety of Nair's poetic world and the note of urgency with which he attempts his themes. Image and metaphor abound and are part and parcel of "the wrestle with experience". For the raid into the articulate to achieve what Shelley called "new materials of knowledge" amounts to an essential self-understanding to harmonise the ways to thought and feeling. By taking many themes as grist for his maw, Nair's poetry ranges over the feelings of a Hindu bride to the Roman Emperor, Caligula. The simultaneous forays into life and language and the myths and legends of East and West, have strengthened and extended the coordinating power of Nair's idiom.

. . . For those of us who remember Chandran Nair's first book of poems (Once the Horsemen, 1972), impressed with its versatility and hard brilliance of style, a second offering of poems from any poet is another matter. . . we are worried about the poet's development, we search for those unhealthy signs that indicate a falling into the cliched and routined. . . If we are inclined to such ungenerous thought, Chandran Nair's new volume, "After the Hard Hours this Rain" sets our minds at ease. Our poet is as articulately tough as ever. . .

Nair started writing at an early age and his first poems were published in his school magazine The Rafflesian in 1963. His first book of poems, Once The Horsemen and Other Poems, (University Education Press, Singapore), was published in 1972 and was well received as was his second collection After the Hard Hours, This Rain,(Woodrose Publications, Singapore) (1975), and he has co-translated with Malcolm Koh Ho Ping "The Poems and Lyrics of the last Lord Lee, the last Emperor of the Southern Tang Dynasty", (Woodrose Publications, Singapore) (1975). He won The New Nation Singapore Short Story Writing contest in 1973 and has published his stories in "Short Stories From Africa and Asia" (which he co-edited with Theo Luzuka), "Singapore Writing", 1977, which he edited for the Society of Singapore Writers," Singapore Short Stories (Vol. 1)" edited by Robert Yeo and also in translation in Malay in "Cerpen Cerpen Asean"(Dewan Bahasa dan Pustaka).

Nair was born in Kerala, India in 1945. He left India for Singapore at the age of seven. His father, Villayil Raman Gopala Pillai who wrote short stories and novels in Malayalam under the pen name of Njekkad had migrated to Singapore in 1947. In 1973 Chandran Nair married Ivy Goh Pek Kien.