Charles Bernstein

He appeared in the 2000 movie Finding Forrester as Dr. Simon and in a series of 1999 TV commercials with Jon Lovitz for the Yellow Pages.

From 1989 to 2003, Bernstein was David Gray Professor of Poetry and Letters at the University at Buffalo, where he was a SUNY Distinguished Professor and co-founder and Director of the Poetics Program. He is also, with Loss Pequeño Glazier, co-founder of The Electronic Poetry Center at Buffalo. From 2003-2019, he was Donald T. Regan Professor of English and Comparative Literature at the University of Pennsylvania, where he co-founded the poetry audio archive PennSound. He has been the recipient of fellowships from the Guggenheim Foundation, the New York Foundation for the Arts, and the National Endowment for the Arts, and of the Roy Harvey Pearce/Archive for New Poetry Prize of the University of California, San Diego. With his translators, Bernstein won the 2015 Münster Prize for International for two German translations. In the same year, he won the Janus Pannonius Grand Prize for Poetry, considered to be the "Nobel Prize" for poetry.. In 2019, Bernstein was the recipient of the Bollingen Prize for American poetry, for lifetime achievement and for Near/Miss. Bernstein was elected a Fellow of the American Academy of Arts and Sciences in 2006.

Charles Bernstein is married to artist Susan Bee. They have had two children, Emma Bee Bernstein (May 16, 1985 – December 20, 2008) and Felix Bernstein (born May 20, 1992). Bernstein was a close friend of poet Hannah Weiner, and is executor of her estate following her death in 1997.

Since 1980, he has published a further eighteen books of poetry, as well as editing a number of anthologies of prose and verse, including The Politics of Poetic Form, Close Listening: Poetry and the Performed Word, S/N: NewWorldPoetics, with Eduard Espina, and Best American Experimental Writing, with Tracie Morris. Working with the composers Ben Yarmolinsky, Dean Drummond, and Brian Ferneyhough, he has written the libretti for five operas and has collaborated with a number of visual artists, including his wife, Susan Bee, Richard Tuttle, Amy Sillman, and Mimi Gross. In 1984, he organized"New York Talk" and in 1985-86, "St Marks Talks," the first lecture series at the Poetry Project in New York. In 2001, he co-curated "Poetry Plastique" with Jay Sanders. Bernstein's work has appeared frequently in The Best American Poetry series, Harper's Magazine, Poetry Magazine, boundary 2, and Critical Inquiry. While Bernstein has supported small presses throughout his career, he has also published on such mainstream academic presses as Oxford University Press, Harvard University Press, Northwestern University Press, and, most recently, The University of Chicago Press, which has published his last major works. The publication of All the Whiskey in Heaven by Farrar, Straus, and Giroux in 2010 was his most commercial endeavor to date. He has said about his work, "It's true that, on the one hand, I mock and destabilize the foundation of a commitment to lyric poetry as an address toward truth or toward sincerity. But, on the other hand, if you're interested in theory as a stable expository mode of knowledge production or critique moving toward truth, again, I should be banned from your republic. (I've already been banned from mine.) My vacillating poetics of poems and essays is a serial practice, a play of voices."

During this period, Bernstein also published three more books of his own poetry, Parsing (1976), Shade (1978) and Poetic Justice (1979), while earning a living as a freelance medical writer.. He also co-founded the Ear Inn reading series with Ted Greenwald in 1978.

Charles Bernstein (born April 4, 1950) is an American poet, essayist, editor, and literary scholar. Bernstein is the Donald T. Regan Professor, Emeritus, Department of English at the University of Pennsylvania. He is one of the most prominent members of the L=A=N=G=U=A=G=E or Language poets. In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. and in 2019 he was awarded the Bollingen Prize from Yale University, the premiere American prize for lifetime achievement, given on the occasion of the publication of Near/Miss. Bernstein was David Gray Professor of Poetry and Poetics at SUNY-Buffalo from 1990-2003, where he co-founded the Poetics Program. A volume of Bernstein's selected poetry from the past thirty years, All the Whiskey in Heaven, was published in 2010 by Farrar, Straus, and Giroux. The Salt Companion to Charles Bernstein was published in 2012 by Salt Publishing.

Bernstein was born in New York City to a Jewish family and attended the Bronx High School of Science, graduating in 1968. His mother was Sherry Bernstein (born Shirley Jacqueline Kegel, February 2, 1921 to October 27, 2018) and his father was Herman Bernstein (1901-1977). Charles then matriculated at Harvard College, where he majored in philosophy and studied the work of J.L. Austin and Ludwig Wittgenstein under Stanley Cavell, a seminal figure in ordinary language philosophy, as well as Rogers Albritton. Cavell would oversee Bernstein's thesis, a study that pursued the aesthetic and poetic possibilities of the amalgamation of analytical philosophy and avant-garde literature, focussing on Gertrude Stein and Wittgenstein. After graduating from Harvard in 1972, his first book, Asylums, was published in 1975. Together with Bruce Andrews he edited the magazine L=A=N=G=U=A=G=E, which ran to 13 issues (3 volumes) between 1978 and 1981 (plus 3 supplements and a fourth volume in 1981. This is routinely considered to be the starting point of Language Poetry and was the most significant outlet for both the progressive poetry and progressive poetic theory taking place in New York City and Berkeley. He has said about the creation of L=A=N=G=U=A=G=E, "We tried to trace a history of radical poetics, taking up the model presented in Jerome Rothenberg's Revolution of the Word, and later by Rothenberg and Pierre Joris in Poems for the Millennium and Marjorie Perloff in The Futurist Moment. When you go back 30 years, you see that poetics that now are widely accepted as foundational for contemporary poetry were harshly rejected then." Bernstein and Andrews published selected pieces from these 13 issues in The L=A=N=G=U=A=G=E Book.