Cheryl Dunye

Dunye cites numerous influences that have contributed to her work including that of Chantal Akerman, Woody Allen, Spike Lee, Godard but notes that Jim McBride's David Holzman’s Diary (1967) and Charles Burnett's Killer of Sheep (1977) are some of the "most powerful" influences on her.

"Dunye has described her early films and videos as ‘dunyementaries’, works in which she integrates ‘documentary and fiction,’" but this style is present in most of her following work as well. In The Watermelon Woman, personal archival materials are the essential pieces that form the history that the protagonist is searching to discover. Photographs, both authentic images from the 1930s and 1940s and recreations made by the director of photography Zoë Leonard, were used in the film and play an important part in the construction of the history that the protagonist seeks.

Dunye's short film Black Is Blue (2014) screened at over 35 festivals and after great traction and funding from the Tribeca Film Institute, is in the works of becoming a feature-length film. The film will has been re-written and expanded upon by both Dunye and Christina Anderson and will be produced by the San Francisco production company 13th Gen. Black is Blue, reminiscent of Sunset Boulevard, is described to be a "Trans-Erotic-Sci-Fi-Thriller" and will take place in a futuristic Oakland.

This experimental documentary follows Dunye's narration of her friendship with a high school classmate, Janine Sorelli. Dunye describes her crush on Janine that spanned from 9th to 12th grade. Dunye explains that Janine's wealthy middle class lifestyle made Dunye feel out of place and uncomfortable with her own identity. Their relationship ended after their senior year of high school when, after Dunye came out to Janine as gay, Janine's mother offered to pay for a doctor to "talk to somebody about [her] problems." Later in life, Dunye called Janine to catch up, but ended the conversation after Janine criticized some of their old high school classmates for having children despite being unmarried.

As of 2010, Dunye is working on a film called Adventures in the 419, also co-written with Schulman, which was selected as one of the works-in-progress films in the Tribeca All Access program during the 2010 Tribeca Film Festival. The film is set in Amsterdam and is about 419 scams among the immigrant community.

Dunye became interested in exploring motherhood within imprisonment in Stranger Inside by the birth of her daughter and Harriet Jacobs's Incidents in the Life of a Slave Girl. Additionally, Dunye was interested in the topic of incarcerated women through Angela Davis's work and the Critical Resistance's Creating Change conference at University of California, Berkeley. In a 2004 issue of Feminist Studies, Dunye discussed some of her inspiration and purpose for the film, particularly how these women make prison a home. "In approaching this piece," Dunye says, "I was interested in how connected a lot of these women are to the outside world and how they find that balance to being an inmate, being a mother, being a member of a family or a clan, or a group that got them in--one that they support or have to support. It puts these women in many different spaces at the same time. But one space that they have to call home is this institution: the prison." Dunye did extensive research into women's prisons and extended this research process to the cast and crew during preproduction, like visiting actual women's prisons. Dunye conducted a screenwriting workshop modeled after Rhodessa Jones's Medea Project: Theater for Incarcerated Women during her research. The workshop consisted of Dunye working with 12 incarcerated women from the Shakopee Correctional Facility in Minnesota; this partnership was commissioned through the Walker Art Center during Dunye's time as the center's Artist in Residence. Dunye looked to understand the interpersonal relationships in prison and their use as a means of survival. The collaborative project of the script was then performed in live readings by the twelve workshop participants and presented at the prison. By the time of the release of the film, seven of these women were released and were able to attend a screening at the Walker Center. Those that had not yet completed their sentences were able to view the film at the Shakopee Women's Facility as the film was screened there as well. A live reading performed by professional actors was recorded by the Walker Centre and was showcased at festivals and contributed to the successful funding and production of the film.

Taking a turn from self-written lesbian-focused films, she directed My Baby's Daddy starring Eddie Griffin, Michael Imperioli, and Anthony Anderson in 2004, although a character in the film turns out to be lesbian.

Her feature debut was The Watermelon Woman (1996), a film which explored the history of black women and lesbians in film and "[it] has earned a place in cinematic history as the first feature-length narrative film written and directed by out black lesbian about black lesbians." In 1993 Dunye was doing research for a class on black film history, by looking for information on black actresses in early films. Many times the credits for these women were left out of the film. Frustrated by a lack in the archives, Dunye created a fictional character, Fae Richards, and constructed an archive for that character. Thus, Dunye utilized fiction and the arts to address gaps she noted in official knowledge records. Dunye decided that she was going to use her work to create a story for black women in early films. The film's title is a play on the Melvin Van Peebles's film The Watermelon Man (1970). Dunye then used the creative archival material to curate events to raise funds and show progress to donors.

"(Narrative, 1994) Cheryl, playing herself, humorously experiences the mysteries of lesbian dating in the 90s."

Greetings From Africa (1994) is a narrative short film featuring Dunye as Cheryl, a young adult black lesbian working to navigate the complicated world of lesbian dating in the 90s. The film opens with Cheryl narrating in front of a camera about her efforts to get back into the dating scene while attempting to avoid the common pitfall of lesbian serial monogamy. After this opening, Cheryl meets L, a white woman, at a party. L and Cheryl hit it off, and soon meet for a date. Before their date, Cheryl and a friend discuss L, mentioning that Cheryl's friend knew someone had recently seen L at the African American studies department office at a nearby school. Later, after Cheryl has not heard from L for a few days, she attends a party hoping to see L there. Cheryl strikes up a conversation with another black queer woman at the party. Cheryl is surprised to find the woman is not L's old roommate, as L had told Cheryl, but rather her girlfriend. The film concludes with Cheryl reading a greeting card from L with the tagline, "Greetings from Africa." The postcard reads that L has joined the Peace Corps and was currently living and working on the Ivory Coast in Africa.

She directed The Owls, co-written with novelist Sarah Schulman, which made its debut at the Berlin International Film Festival. The film is about a group of "Older, Wiser Lesbians" (an acronym of which provides the title) who accidentally kill a younger woman and try to cover it up. The cast includes Guinevere Turner and V.S. Brodie, who had appeared together in the 1994 lesbian-themed film Go Fish and The Watermelon Woman, as well as Dunye, Lisa Gornick, Skyler Cooper, and Deak Evgenikos.

"(Video montage, 1993) Dunye's relationship with her brother is examined in this mixture of appropriated film footage, super 8mm home movies & Dunye's special brand of humor."

"(Experimental narrative, 1993) Sparks fly as racial, sexual and social politics intermingle at a lesbian potluck."

"(Experimental narrative, 1991) A self-reflexive look at the sexuality of a young black lesbian."

Dunye began her career with six short films which have been collected on DVD as The Early Works of Cheryl Dunye. Most of these videos featured the use of mixed media, a blurring of fact and fiction and explored issues relating to the director's experience as a black lesbian filmmaker. These films are early examples of "Dunyementaries," a blend of narrative and documentary techniques that Dunye describes as "a mix of film, video, friends, and a lot of heart." These works, spanning from 1990-1994, explore themes of race, sexuality, family, relationships, whiteness, and the intricacies of white and black lesbian dating culture. Created before Dunye's widespread success, The Watermelon Woman, Dunye's early works were produced with a low budget and often starred Dunye herself as lead actress.

"(Experimental documentary, 1990) The story of a black lesbian's relationship with a white, upper middle class high school girl."

Cheryl Dunye (born May 13, 1966) is a Liberian-American film director, producer, screenwriter, editor and actress. Dunye's work often concerns themes of race, sexuality, and gender, particularly issues relating to black lesbians.