Age, Biography and Wiki
Dai Sil Kim-Gibson (Dai Sil Kim) was born on 1938 in Sincheon, Hwanghae Province, North Korea, is a film. Discover Dai Sil Kim-Gibson's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 85 years old?
Popular As |
Dai Sil Kim |
Occupation |
Documentary filmmaker |
Age |
N/A |
Zodiac Sign |
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Born |
1938, 1938 |
Birthday |
1938 |
Birthplace |
Sincheon, Hwanghae Province, North Korea |
Nationality |
North Korea |
We recommend you to check the complete list of Famous People born on 1938.
She is a member of famous film with the age years old group.
Dai Sil Kim-Gibson Height, Weight & Measurements
At years old, Dai Sil Kim-Gibson height not available right now. We will update Dai Sil Kim-Gibson's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
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Not Available |
Who Is Dai Sil Kim-Gibson's Husband?
Her husband is Don Gibson (m. 1979-2009)
Family |
Parents |
Not Available |
Husband |
Don Gibson (m. 1979-2009) |
Sibling |
Not Available |
Children |
Not Available |
Dai Sil Kim-Gibson Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Dai Sil Kim-Gibson worth at the age of years old? Dai Sil Kim-Gibson’s income source is mostly from being a successful film. She is from North Korea. We have estimated
Dai Sil Kim-Gibson's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
film |
Dai Sil Kim-Gibson Social Network
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Timeline
In 2016, the United States' longest-running Asian film festival—the Asian American International Film Festival—featured Kim-Gibson's film People are the Sky.
The Los Angeles Asian Pacific Film Festival honored Kim-Gibson with the Artist Spotlight award in 2016 for People are the Sky.
In 2014, Kim-Gibson's most personal film – People Are The Sky—was released. Kim-Gibson returned to North Korea for the first time in almost 70 years for the film, exploring the social history of North and South Korea through her own story. The film uses "interviews, epic images, and graceful musings" to provide history and explore if North Korea is "still home."
In 2013, Don Gibson's posthumous memoir Iowa Sky was published by Shoulder Friends Press. The book was compiled and annotated by Kim-Gibson who and described their partnership as that of soulmates.
In 2011, the fifth-annual Korean American Film festival honored Kim-Gibson in Manhattan with a six-film retrospective and discussions led by her long-time collaborator, Charles Burnett.
In 1999 Kim-Gibson released a book about the history of Korean comfort women during WWII, and the impact upon the women's lives. Kim-Gibson's film Silence Broken: Korean Comfort Women was released in 2000.
Kim-Gibson's third film was released in 1995, titled A Forgotten People: The Sakhalin Koreans. A Forgotten People tells the story of 43,000 Koreans who were brought by the Japanese to Sakhalin Island during World War II to be used in forced labor.
In 1993, Kim-Gibson and two other Korean-American women, Christine Choy and Elaine Kim, released the documentary film Sa-I-Gu. Sa-i-gu is Korean for April 29, the date the Rodney King riot began in Los Angeles in 1992. Sa-I-Gu uses newsreel footage and interviews with Korean-American shopkeepers to tell the story of the King riots from their unique perspective. The film was aired by PBS as part of its independent film series POV (TV series) on September 10, 1993. Her 2004 film Wet Sand: Voices from LA (2004) also deals with the aftermath of the Rodney King riots.
The first film Kim-Gibson was involved in was released in 1991. America Becoming was sponsored by the Ford Foundation and directed by Charles Burnett. Kim-Gibson co-wrote the film with Burnett. The film considered growing diversity in America through the stories of newcomers and established residents in six American cities.
From 1986 to 1988 Kim-Gibson worked as the Director of Media Programs for the New York State Council on the Arts. She left NYSCA in 1988 to begin freelance work as a filmmaker and author.
Kiim-Gibson met her husband-to-be (Donald Gibson) while working at NEH and the two were wed on October 1, 1979. Don Gibson died in 2009.
In 1978, Kim-Gibson began work at the National Endowment for the Humanities working on media programming grants. While working at NEH, she met and worked with Don Gibson, whom she later married.
After graduating from Boston University, Kim-Gibson taught religion at Mount Holyoke College from 1969 to 1978.
Kim-Gibson attended the Ewha Girls' High School in Seoul, and obtained her master's degree in Theological Studies from the Methodist Theological Seminary in Seoul in 1960. In 1962 Kim-Gibson moved to Boston, Massachusetts to attend Boston University, where she obtained her PhD in Religious studies. She published her PhD dissertation in 1969, titled "The Doctrine of Man in Irenaeus of Lyon."
In 1945, at the age of seven, Kim-Gibson moved with her family, on foot, across the 38th parallel seeking democracy in South Korea. Her family was deeply committed to the Korean independence movement and to Christianity.
Dai Sil Kim-Gibson (/'daɪ/ /'sɪl/ /'kɪm/-/'gɪbsən/; born 1938) is a Korean–American documentary filmmaker and author. Her films and writing focus on humanizing "the voiceless" within issues of human rights, overlooked periods in history, and Asian-American diaspora.
Kim-Gibson was born in 1938 in Sincheon, Hwanghae Province, in an area which would later become part of North Korea after the division of the peninsula but at the time was part of a colonial administration of imperial Japan. Kim-Gibson's early life coincided with the end of Japanese rule in Korea and World War II. During World War II, Korea was forced to support Japan's military, and 200,000 Korean and Chinese women and girls were forced into sexual slavery and labeled as "comfort women." The history of Korea during this era has been a frequent subject of Kim's work.