Daliah Lavi

Re-appeared as an actress on German television in the 1990s.

Had one child with husband Peter Rittmaster, Alexander. The couple divorced in 1975.

Her final film would be in the western comedy Catlow (1971) starring Yul Brynner.

In the 1970's Daliah pursued a singing career in Germany after being discovered by record producer Jimmy Bowien. A popular draw, she had a few hit songs and covered many international songwriters and artists. She was also glimpsed again on German television in the 90s for a brief spell.

She quickly lost momentum, however, cast in such overlooked films as Those Fantastic Flying Fools (1967), Nobody Runs Forever (1968) and Some Girls Do (1969).

The actress hit her height of international popularity with four popular English/US-based films: as "The Girl" in the epic adventure Lord Jim (1965) starring Peter O'Toole and James Mason; as Princess Natasha in the spy comedy The Spy with a Cold Nose (1966) opposite Laurence Harvey; an alluring double agent in the first Matt Helm entry The Silencers (1966) starring Dean Martin; and as a sexy enemy weapon in the phantasmagorical Bondian spoof Casino Royale (1967), starring Peter Sellers and an all-star international cast. The last-mentioned film, in particular, had American male audiences taking major notice. Decked out in tight mini-skirts, thigh-high go-go boots and a helmet of black hair, Daliah fit in perfectly with the times, a swinging, gorgeous chick of the psychedelic 60s.

imports Lex Barker and Guy Madison; the continental costumed adventure Cyrano et d'Artagnan (1964) starring José Ferrer and Jean-Pierre Cassel as Cyrano and D'Artagnan; the German comedy thriller They're Too Much (1965) starring Curd Jürgens, and the one of the ensemble suspects in the internationally cast whodunnit Ten Little Indians (1965).

She continued to build up a strong European film reputation with the war drama No Time for Ecstasy (1961) co-starring Peter van Eyck; the mystery crimer The Return of Dr.

Mabuse (1961) starring Gert Fröbe and post-Tarzan Lex Barker; and made her American movie debut (earning a Golden Globe "Newcomer" Award in the process) as the second femme lead in the Kirk Douglas starrer Two Weeks in Another Town (1962), directed by Vincente Minnelli.

Daliah gained considerable ground enhancing and beautifying such foreign movie product as the ensemble French crime mystery Le jeu de la vérité (1961) (aka The Game of Truth); the German comedy satire Das schwarz-weiß-rote Himmelbett (1962); the title role of a sultry peasant girl accused of being a witch in the Italian/French co-production Il demonio (1963) (aka The Demon); the European western action film Old Shatterhand (1964) starring U. S.

Stylish, slender-framed, raven-haired Daliah Lavi was made for alluring, exotic types and princess roles with her mesmerizing beauty, chiseled cheek bones and long, flowing mane. The Israeli actress first became a star in Europe before making a dent in Hollywood as part of a wave of knockout foreign star imports that flooded Hollywood during the mid 1960's -- Claudia Cardinale, Julie Christie, Jeanne Moreau, Liv Ullmann, Melina Mercouri, Ursula Andress, Jacqueline Bisset, Romy Schneider, Elke Sommer, Senta Berger, Rosanna Schiaffino, Geneviève Bujold, Capucine, Shirley Eaton, Sylva Koscina, Barbara Bouchet, Susannah York, Rita Tushingham, Monica Vitti, Vanessa Redgrave and her sister Lynn Redgrave, and Catherine Deneuve and her sister Françoise Dorléac. Like most of the others, Daliah was to be viewed as a viable sex symbol contender. In her case, she found decorative, second-tier notice via tongue-in-cheek spy spoofs, crime mysteries, erotic thrillers and rugged adventures. In retrospect, she may have fallen short of the illustrious Hollywood pedestal, but she did create a fine, if brief, stir.

Such early films include a starring role in the German/Israeli co-production Blazing Sand (1960); the classic Voltaire comedy Candide (1960) co-starring as Cunegonde alongside Jean-Pierre Cassel in the title role; and the Martine Carol drama Un soir sur la plage (1961).

She made her first film there at age 13 in the drama Hemsöborna (1955) playing the daughter of a professor. Her start in films was interrupted when she returned to Israeli following her father's death and joined the Israeli Army. Following this period, she returned to acting and, being fluent in many European languages, began to figure in prominently with a host of French, Italian, German and English productions, often as a co-star.

At her tenth birthday party she met Kirk Douglas, who was filming The Juggler (1953) in her town in Israel, and he arranged for her to study ballet. A decade later they worked together in Vincente Minnelli's Two Weeks in Another Town (1962) and she received a Golden Globe for most promising newcomer (female) for her work.

The daughter of Reuben and Ruth Lewinbuk (or Levenbuch), who were of German-Jewish and Polish-Jewish descent, she was sent as a child to Stockholm, Sweden in the early 1950's to train in dance.

She was born Daliah Levenbuch in the Moshav Shavey Zion, in the British Mandate of Palestine on October 12, 1942.