Daniel Moe

Moe served as composer-in-residence for Church of the Redeemer, Sarasota, FL until his death in 2012.

Moe served as an adjunct professor of music at New College of Florida in Sarasota, where he conducted The New College Chorus from fall 2005 until fall 2010.

After retiring from academia to Sarasota, Florida, Moe served as the first director of that city's symphony chorus, Key Chorale, a position he held for 21 years. During the 1994–1995 academic year, he served as visiting professor and choral conductor at his alma mater, Concordia College, as René Clausen's sabbatical replacement, and for one semester in 2001 at Boston University as sabbatical replacement for Ann Howard Jones.

Moe composed music for several hymns that appeared in hymnals such as Hymnal (Church of the Brethren, Mennonite), Hymns of the Saints (Reorganized Church of Jesus Christ of Latter-Day Saints), Rejoice in the Lord (Reformed Church in America), Ecumenical Praise, Lutheran Book of Worship (Evangelical Lutheran Church in America), The Hymnal 1982 (Episcopal Church), and More Hymns and Spiritual Songs (Episcopal Church).

Moe was appointed professor of choral conducting at Oberlin Conservatory of Music in 1972. He served in this role for 20 years.

After completing the Ph.D. in 1961, Moe accepted a faculty position as Director of Choral Organizations at the University of Iowa, where he would develop distinguished graduate programs in choral conducting. While in Iowa City, Iowa, he also conducted the choir at Gloria Dei Lutheran Church.

In 1956, the Lutheran World Federation awarded Moe a grant to study in Germany at the Kirchenmusikschule, and in 1959, the Danforth Foundation awarded him a grant to work on his doctorate in composition. He took a leave of absence from the University of Denver and went to the University of Iowa for his doctoral study, writing his thesis on his own choral and wind ensemble composition, “Te Deum Laudamus.”

Moe became a lay minister and choir director at Hope Lutheran Church in Powell, Wyoming. In late 1953, he was appointed Director of Choral Activities at University of Denver, where he remained until 1959. While at the University of Denver, Moe was also a lecturer in church music at the Iliff School of Theology, a Methodist seminary, and directed the choirs at Augustana Lutheran Church and Central Presbyterian Church.

In February 1950, he began a master’s degree at Hamline University, and secured a conducting position at Lutheran Bible Institute (now Golden Valley Lutheran College). Three weeks into his studies, however, the University announced it would discontinue that degree program. He transferred to the University of Washington. While there, he was employed as a conductor at Ballard First Lutheran Church. He completed his master’s degree in 1952.

In 1946, Moe left the Navy to attend Concordia College (Moorhead, Minnesota). He started as a pre-theological student but changed his major to music. He sang in The Concordia Choir under Paul J. Christiansen. He graduated in 1949 with a degree in music.

In 1944, after graduating high school, Moe entered the V-5 Aviation Cadet Training Program (USN) (NavCad) program. He played tenor saxophone and clarinet for Navy bands.

Daniel Troen Moe (November 2, 1926 – May 24, 2012) was an American choral conductor, composer, and pedagogue. He was Director of Choral Organizations for the University of Iowa, professor of choral conducting at Oberlin College Conservatory of Music, and founding Music Director of Key Chorale in Sarasota, Florida. He was a published composer and author. He was once hailed by The New Yorker music critic Andrew Porter as "that Dean of choral conductors."

Daniel Moe was born in 1926 in Minot, North Dakota the grandson of Norwegian immigrants and the son of a Lutheran pastor. Moe began his musical training at age five. He studied piano and clarinet, and sang in the children’s choir at Olivet Lutheran Church in Fargo, North Dakota, his father’s parish. In junior high and high school, he participated in school bands, orchestras, and choirs. As a senior in high school, Moe took up the tenor saxophone so he could play jazz, a form of music he had a growing interest in, and which would affect future compositions such as the three-movement Psalm Concertato.