Age, Biography and Wiki

David Langford (David Rowland Langford) was born on 10 April, 1953 in Newport, United Kingdom, is a British writer. Discover David Langford's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 71 years old?

Popular As David Rowland Langford
Occupation Author, editor, critic
Age 71 years old
Zodiac Sign Aries
Born 10 April, 1953
Birthday 10 April
Birthplace Newport, United Kingdom
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 10 April. He is a member of famous Author with the age 71 years old group.

David Langford Height, Weight & Measurements

At 71 years old, David Langford height not available right now. We will update David Langford's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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David Langford Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is David Langford worth at the age of 71 years old? David Langford’s income source is mostly from being a successful Author. He is from United Kingdom. We have estimated David Langford's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
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Source of Income Author

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Timeline

2008

Langford has won numerous other Hugo Awards, largely for his activities as a fan journalist on his free newsletter Ansible, which he has described as "The SF Private Eye" . The remaining Hugo awards are as follows: 21 for Best Fan Writer, five for Ansible as Best Fanzine, and another for Ansible as Best Semiprozine. As of 2008 he had received, in total, 28 Hugo Awards, his 19-year winning streak coming to an end in 2008. A 31-year streak of nominations (1979–2009) for "Best Fan Writer" came to an end in 2010. He shared the Hugo for Best Related Work in 2012.

2006

Excluding collections, Langford's most recent professionally published book is The End of Harry Potter? (2006), an unauthorised companion to the famous series by J. K. Rowling. The work was published after the publication of the sixth volume in the Harry Potter series, but before publication of the seventh and final volume. It contains information, extracted from the books and from Rowling's many public statements, about the wizarding world and popular theories concerning how the plot will develop in the last book. A revised version was published in the US in March 2007 by Tor Books, and in paperback form in the UK in May 2007. The book was commissioned from Langford by Malcolm Edwards of Orion Books, who were seeking a book about the Harry Potter series.

2003

As a writer of fiction, Langford is noted for his parodies. A collection of short stories, parodying various science fiction, fantasy fiction and detective story writers has been published as He Do the Time Police in Different Voices (2003, incorporating the earlier and much shorter 1988 parody collection The Dragonhiker's Guide to Battlefield Covenant at Dune's Edge: Odyssey Two). Two novels, parodying disaster novels and horror, respectively, are Earthdoom! and Guts, both co-written with John Grant.

1996

Ansible has for many years advertised that paper copies are available for various unlikely items such as "SAE, Fwai-chi shags or Rhune Books of Deeds". In 1996, Ursula K. Le Guin wrote: "Tell me what I can send in exchange for Ansible. In Oregon we grow many large fir trees; also we have fish."

1993

Langford assisted in producing the second edition of The Encyclopedia of Science Fiction (1993) and contributed some 80,000 words of articles to The Encyclopedia of Fantasy (1997). He is one of the four chief editors of the third, online edition of The Encyclopedia of Science Fiction (launched October 2011), and shared this reference work's 2012 Hugo Award for Best Related Work. He has also edited a book of John Sladek's uncollected work, published in 2002 as Maps: The Uncollected John Sladek. Langford's critical introduction to Maps won a BSFA Award for nonfiction. With Christopher Priest, Langford also set up Ansible E-ditions (now Ansible Editions) which publishes other print-on-demand collections of short stories by Sladek and David I. Masson, and review columns by Algis Budrys.

1992

The name Ansible is taken from Ursula K. Le Guin's science-fictional communication device. The newsletter first appeared in August 1979. Fifty issues were published by 1987, when it entered a hiatus. Since resuming publication in 1991, Ansible has appeared monthly (with occasional extra issues given "half" numbers, e.g. Ansible 53​⁄2 ) as a two-sided A4 sheet and latterly also online. A digest has appeared as the "Ansible Link" column in Interzone since issue 62, August 1992. The complete archive of Ansible is available at Langford's personal website. Ansible issue 300 was published on 2 July 2012.

A collection of nonfiction and humorous work, Let's Hear It for the Deaf Man, was published in 1992 by NESFA Press. This was incorporated into a follow-up collection, consisting of 47 nonfiction pieces and three short stories, and published as The Silence of the Langford in 1996. Up Through an Empty House of Stars (2003) is a further collection of one hundred reviews and essays.

1988

A number of Langford's stories are set in a future containing images, colloquially called "basilisks", which crash the human mind by triggering thoughts that the mind is physically or logically incapable of thinking. The first of these stories was "BLIT" (Interzone, 1988); others include "What Happened at Cambridge IV" (Digital Dreams, 1990); "comp.basilisk FAQ", and the Hugo-winning "Different Kinds of Darkness" (F&SF, 2000).

1983

Langford wrote the science fiction and fantasy book review column for White Dwarf from 1983 to 1988, continuing in other British role-playing game magazines until 1991; the columns are collected as The Complete Critical Assembly (2001). He has also written a regular column for SFX magazine, featuring in every issue from its launch in 1995 to #274 dated July 2016. A tenth-anniversary collection of these columns appeared in 2005 as The SEX Column and other misprints; this was shortlisted for a 2006 Hugo Award for Best Related Book. Further SFX columns are collected in Starcombing: columns, essays, reviews and more (2009), which also includes much other material written since 2000.

1982

Langford also had one serious science fiction novel published in 1982, The Space Eater. The 1984 novel The Leaky Establishment satirises the author's experiences at Aldermaston. His 2004 collection Different Kinds of Darkness is a compilation of 36 of his shorter, non-parodic science fiction pieces, the title story of which won the Hugo Award for Best Short Story in 2001.

1975

His first job was as a weapons physicist at the Atomic Weapons Research Establishment at Aldermaston, Berkshire from 1975 to 1980. In 1985 he set up a "tiny and informally run software company" with science fiction writer Christopher Priest, called Ansible Information after Langford's news-sheet. The company has ceased trading.

1953

David Rowland Langford (born 10 April 1953) is a British author, editor and critic, largely active within the science fiction field. He publishes the science fiction fanzine and newsletter Ansible.

1871

The novelette An Account of a Meeting with Denizens of Another World 1871, is an account of a UFO encounter, as experienced by a Victorian; in its framing story Langford claims to have found the manuscript in an old desk (the story's narrator, William Robert Loosley, is a genuine ancestor of Langford's wife).

This has led some UFOlogists to believe the story is genuine (including the US author Whitley Strieber, who referred to the 1871 incident in his novel Majestic). Langford freely admits the story is fictional when asked — but, as he notes, "Journalists usually don't ask."