Diango Hernández

His work draws heavily from his experiences and upbringing in Cuba and the culture of revolution. In 2006, for instance, Hernández had three shows entitled Spies (at Alexander and Bonin in New York), Traitors (at Pepe Cobo in Madrid), and Revolution (at Kunsthalle Basel) which he describes as "meticulously connected...the words 'revolution', 'spies' and 'traitors' are in the first place very familiar words or concepts to me and to my generation. All three of them have been repeated, printed and amplified millions of times by the Cuban officials...I wanted to take these big monumental words into my hands; I wanted to domesticate them. In Cuba printed or amplified politics can only be stopped if we shut our front door and switch off the radio and this is somehow what I did with these series of exhibitions; I finally moved from the streets to my living room."

Hernández’s works has been included at the 51st Venice Art Biennale (Arsenale, 2005), São Paulo Art Biennial (2006), Biennale of Sydney (2006), Kunsthalle Basel (2006), Munich’s Haus der Kunst (2010), London’s Hayward Gallery (2010) and more recently with a survey at the MART in Rovereto, Italy, (2011). Hernández currently lives and works in Düsseldorf, Germany.

Diango Hernández (born 1970) is a Cuban artist, known for his paintings. From 1994 to 2003, Hernández was involved with Ordo Amoris Cabinet, which he co-founded with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña. He is married to artist Anne Pöhlmann. He lives and works between Düsseldorf, Germany and Havana.

Diango Hernández was born in Sancti Spíritus, Cuba in 1970. His mother was a high school teacher—and later professor—and his father was an engineer. He attended boarding school in the countryside as a teenager, going on to study at the Havana Superior Institute of Design (ISDI) from 1989 to 1994 where he received a degree in industrial design. After a brief stint at an architecture firm, he went on to form a collaboration experience together with Ernesto Oroza, Juan Bernal, Francis Acea and Manuel Piña under the name of Ordo Amoris Cabinet (OAC; Latin, Order of Love). From 1996 until 2003 Ordo Amoris Cabinet comprised only Hernández and Francis Acea. The group created sculptural installations which incorporated various research methodologies to address social and cultural issues in Cuba. They exhibited widely throughout the Americas and Europe, and disbanded in 2003. It was at this time that Hernández left Cuba for Europe.