Age, Biography and Wiki

Diedre Murray was born on 28 November, 1951 in Brooklyn, New York, NY. Discover Diedre Murray's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 72 years old?

Popular As N/A
Occupation Musician
Age 72 years old
Zodiac Sign Sagittarius
Born 28 November, 1951
Birthday 28 November
Birthplace New York
Nationality United States

We recommend you to check the complete list of Famous People born on 28 November. She is a member of famous with the age 72 years old group.

Diedre Murray Height, Weight & Measurements

At 72 years old, Diedre Murray height not available right now. We will update Diedre Murray's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
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Who Is Diedre Murray's Husband?

Her husband is Lawrence Murray

Family
Parents Not Available
Husband Lawrence Murray
Sibling Not Available
Children Not Available

Diedre Murray Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Diedre Murray worth at the age of 72 years old? Diedre Murray’s income source is mostly from being a successful . She is from United States. We have estimated Diedre Murray's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

2000

In 2000 she wrote a chamber and choral piece for the Commissioning Project. In 2001 she wrote arrangements for the musical Eli's Coming, for which she won her second Obie. In 2002 she composed the score for Brutal Imagination, a verse play by Cornelius Eady. Other works include Strings Attached, a dance piece by choreographer Risa Jaroslow; Best of Both Worlds created by Randy Weiner and Diane Paulus; and a collaboration with Sonoko Kawahara on Name of the Flower, a music-theater piece; The Iliad and The Odyssey with Kathryn Walker. Murray collaborated with Paulus on the musical The Best of Both Worlds. Other projects include a collaboration with Carl Hancock Rux on The Blackamoor Angel, a full-length opera, a collaboration with Lynn Nottage on the musical Sweet Billy and the Zooloos, and s yearlong residency at Harlem Stages with playwright Marcus Gardley.

1996

In 1996 her projects included: You Don't Miss the Water, a music-theater piece, in collaboration with poet Cornelius Eady produced by the Music Theatre Group; and the premiere of Women in the Dunes, a dance piece created by Blondell Cummings for the Japan Society and Mu Lan-Pi. Her dance theatrescape commissioned by District Curators and performed in Washington, D.C. by the Ajax Moving Dance Company. In 1998 Murray developed the jazz opera Running Man, for which she wrote the original story, score, and book with collaborators Cornelius Eady and Diane Paulus. Murray also conceived Songbird: The Life and Times of Ella Fitzgerald, for which she wrote the original music. She received a grant from the Commissioning Project to write Eleven Elements of Joy for orchestra, which debuted in June 1999.

1993

A native of New York, Murray studied at Hunter College and the Manhattan School of Music. In 1993 she received commissions to create: a score for the inaugural concert at the Danny Kaye/Sylvia Fine Playhouse entitled "Five Minute Tango", performed by the Manhattan Brass Quintet; The Conversation for the Seattle-based New Performance Group at the Walker Art Center in Minnesota for the Music in Motion program; Flashes, a structured improvised collaboration with choreographer Blondell Cummings and musicians Jeanne Lee and Pauline Oliveros for the Firewall Festival 1993; and music for Helen Thorington's radio piece Dracula's Wives for broadcast. In 1994, Murray's works included The Voice Within, an a cappella theater piece for ten voices with text by Marcus Gardley, at Aaron Davis Hall; a tour of Flashes to the Taklos Festival in Switzerland; and, a dramatized version of Unending Pain, with text by Laurie Carlos, at P.S. 122 in New York City. Her work as a composer was intermixed with an extensive concert schedule as a band leader and concert soloist.