Diego Aramburo

In May 2018, the artist made her change of gender identity to female official, in an act that sparked intense public debate.

In May 2018, Diego Aramburo was legally recognized as a woman under Bolivia's Law 807 on Gender Identity. According to the artist – who made no changes to her body or name – the measure was adopted as "a way of fighting against the strict heteronormalization of Bolivian society" and "breaking with the cultural barriers around gender identity." The process that the artist went through to legalize her new identity was documented in Genero (2018), an expanded work of art made in co-production with Ecuador and Brazil and with the backing of Iberescena. Although she received the support of various personalities related to the arts, teaching, and activism, Aramburo was also the target of criticism for the action, sparking intense debate on the subject.

In 2004, Aramburo wrote and directed one of her best-known plays, Crudo, with performances by Pati García, Jorge Alaniz, Alejandro Marañón, Lía Michel, and Daniel Larrazábal. García, Alaniz, Marañón, and Michel have been part of the casts of several of Aramburo's shows. Other notable works in the company's history were Transparente (2009), Romeo y Julieta de Aramburo (2013),and the Bolivian Trilogy, comprising Ukhupacha, Morales, and Hejarei (2014–2015).

Her subsequent plays, Feroz, Amataramarta, and Ese cuento del amor (written with Claudia Eid), quickly established Aramburo as the most awarded director in Bolivia and brought her invitations to festivals in other countries. Although from the beginning the Kiknteatr opted for its own dramaturgy, it also staged productions by other authors, as with Tierra (2003) by French playwright Hubert Colas [fr], 4.48 Psychosis (2004) by Sarah Kane, and Happy Days (2007) by Samuel Beckett.

Diego Aramburo Jordán (born 8 September 1971) is a Bolivian actress, director, and playwright. The founder and director of the Kiknteatr company, she is the winner of 10 Peter Travesí National Theater Awards, in addition to having received various distinctions and recognitions in her country and abroad. Her theater has been characterized by a contemporary style, in which performing and visual arts are mixed. Aramburo has spent much of her career abroad, being frequently invited to direct in theaters and independent companies in various countries in the Americas and Europe.

The child of an architect, Diego Aramburo was born on 8 September 1971 in Cochabamba, the city where she began her acting career at age 17. With studies carried out in Brazil, Spain, France, Canada, and the United States, and apprenticeships with teachers such as Jerzy Grotowski, Declan Donnellan, Yoshi Oida, José Sanchis Sinisterra, Mauricio Kartun [es], and Rafael Spregelburd, Aramburo quickly became the a well-known and controversial director in Cochabamba. In 1996, she founded the Kíkinteatro – later shortened to Kiknteatr – whose name comes from the words kíkin ("similar to", in Quechua) and teatro ("theater", in Spanish). Her first play with the company was Tres fases de la luna, for which she won her first Peter Travesí National Theater Award.