Age, Biography and Wiki

Don Kay (composer) was born on 25 January, 1933 in Smithton, Tasmania, Australia, is a composer. Discover Don Kay (composer)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 90 years old?

Popular As N/A
Occupation Classical composer
Age 91 years old
Zodiac Sign Aquarius
Born 25 January, 1933
Birthday 25 January
Birthplace Smithton, Tasmania, Australia
Nationality Australia

We recommend you to check the complete list of Famous People born on 25 January. He is a member of famous composer with the age 91 years old group.

Don Kay (composer) Height, Weight & Measurements

At 91 years old, Don Kay (composer) height not available right now. We will update Don Kay (composer)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Don Kay (composer) Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Don Kay (composer) worth at the age of 91 years old? Don Kay (composer)’s income source is mostly from being a successful composer. He is from Australia. We have estimated Don Kay (composer)'s net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income composer

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Timeline

1998

He retired from the staff of the Tasmanian Conservatorium of Music in 1998, having served as head of department from 1990 to 1993 and has since been appointed adjunct professor in composition. He now composes full-time.

1991

In June 1991 Don Kay was appointed a Member of the Order of Australia for his contribution to the arts and particularly to music composition. In 2001 he was awarded a Centenary Medal for an outstanding contribution to music, music education and composing in Tasmania.

1990

In 1990 Dance Concertante for String Orchestra was given a similar award.

1989

In 1989 Tasmania Symphony - The Legend of Moinee for cello and orchestra was awarded the best composition by a composer resident in Tasmania in the Sounds Australian awards.

1976

During these years Kay was also contributing to Creative Music and Arts workshops at National and International conferences for Music and Arts Education. He was appointed Senior Lecturer at the Tasmanian Conservatorium of Music in 1976; elected Dean of Music, University of Tasmania, 1989; and elected Head of the Conservatorium of Music, University of Tasmania, 1990.

1965

Kay returned to Tasmania in 1965 with a young family of two daughters as Lecturer of Music, Hobart Teachers College; in 1967 he was appointed Lecturer of Composition and Music Education, Tasmanian Conservatorium of Music. He received his first commission in 1966, Organ Sonata, broadcast on ABC national radio by John Nicholls, the Hobart City Organist, in 1967. Active as a music tutor from the late 1960s to the middle 1970s with the Tasmanian Youth Theatre, Secheron House, Battery Point, Kay also composed a number of scores for production by the Tasmanian Puppet Theatre as well as Theatre Royal professional productions e.g. Richard II (Shakespeare), The Imaginary Invalid (Molière), the Wakefield Miracle Plays (Tasmania Festival, 1970) at that time. In 1984 Kay wrote an opera The Golden Crane with a libretto from Gwen Harwood.

1933

Donald Henry Kay AM (born 25 January 1933) is an Australian classical composer.

Kay was born on 25 January 1933 in Smithton, Tasmania. He attained a Bachelor of Music degree at the University of Melbourne after which he taught music at Colac High School, Victoria, 1957–59. He then went on to teach music at Peckham Manor Comprehensive School for Boys, London, UK 1959-64 and was Director of Music there 1962–64. He studied composition privately at this time with Malcolm Williamson. His first publication was in 1964–65 with Songs of Come and Gone for choir, flute, piano and string orchestra.