Eli Siegel

In 2002 the city of Baltimore placed a plaque in Druid Hill Park to commemorate the centennial of Eli Siegel's birth. That same year, on July 26, 2002, Representative Elijah E. Cummings read a tribute to Siegel in the United States House of Representatives. [10]

The basis of Aesthetic Realism is the principle, "The world, art, and self explain each other: each is the aesthetic oneness of opposites."[2] In the book Aesthetic Realism: We Have Been There, six working artists explain this principle in life and their own craft. Reviewing them, the Library Journal tells us: "Heraclitus, Aristotle, Kant, Hegel, and even Martin Buber have posited contraries and polarities in their philosophies. Siegel, however, seems to be the first to demonstrate that 'all beauty is the making one of the permanent opposites in reality'." (September 1, 1969) [3]

Kenneth Rexroth wrote in the New York Times Book Review of Hail, American Development that Siegel's poems contained "...incomparable sensibility at work saying things nobody else could say and in the long ones the rhythms are as new inventions as once were Blake's or Whitman's or Apollinaire's", adding, "...all through Hail, American Development are Translations, mostly from the French, that show a penetration both original and extraordinary. His Translations of Baudelaire and his commentaries on them rank him with the most understanding of the Baudelaire critics in any language." (March 23, 1969) [6]

The following are lines from Hot Afternoons Have Been in Montana, one of the poems which Selden Rodman commented "say more (and more movingly) about here and now than any contemporary poems I have read". (August 17, 1957 Saturday Review) These lines stand for what Ellen Reiss has described as Siegel's "beautiful, faithful, passionate, critical, loving attention to the world and humanity."[12]

In 1951, William Carlos Williams read Siegel's "Hot Afternoons Have Been in Montana" again, and wrote to Martha Baird: "Everything we most are compelled to do is in that one poem." Siegel, he wrote, "belongs in the very first rank of our living artists". The prize poem became the title poem of Siegel's first volume, Hot Afternoons Have Been in Montana: Poems, nominated for a National Book Award in 1958. A decade later, his second volume, Hail, American Development, also met with critical acclaim. "I think it's about time Eli Siegel was moved up into the ranks of our acknowledged Leading Poets", wrote Kenneth Rexroth in the New York Times. Walter Leuba described Siegel's poems as "alive in a burning honesty and directness" and yet, having "exquisite emotional tact". He pointed to these lines from "Dear Birds, Tell This to Mothers":

In 1946, at Steinway Hall, Siegel began giving weekly lectures in which he presented the philosophy he first called Aesthetic Analysis (later, Aesthetic Realism) "a philosophic way of seeing conflict in self and making this conflict clear to a person so that a person becomes more integrated and happier". From 1941 to 1978, he gave many thousand lectures on poetry, history, economics—a wide variety of the arts and sciences. And he gave thousands of individual Aesthetic Realism lessons to men, women, and children. In these lessons the way of seeing the world based on aesthetics—which is Aesthetic Realism—was taught.

In 1944, Siegel married Martha Baird (University of Iowa), who had begun studying in his classes the year before. Baird would later become Secretary of the Society for Aesthetic Realism, and also a musicologist and poet in her own right.[1]

Donald Kirkley wrote in The Baltimore Sun (1944) reporting on Siegel's reaction to his 1925 national fame,

For several years in the 1930s Siegel served as master of ceremonies for regular poetry readings that were well known for combining poetry and jazz. He was also a regular reviewer for Scribner's magazine and the New York Evening Post Literary Review. In 1938, Siegel began teaching poetry classes with the view that "what makes a good poem is like what can make a good life". In 1941, students in these classes asked him to give individual lessons in which they might learn about their own lives. These were the first Aesthetic Realism lessons.

In 1925, his "Hot Afternoons Have Been in Montana" was selected from four thousand anonymously submitted poems as the winner of The Nation's esteemed poetry prize. The magazine's editors described it as "the most passionate and interesting poem which came in—a poem recording through magnificent rhythms a profound and important and beautiful vision of the earth on which afternoons and men have always existed." The poem begins:

Siegel continued writing poetry throughout his life but devoted the majority of his time over the next decades to developing the philosophy he later called Aesthetic Realism. After moving to New York City, he became a member of the Greenwich Village poets, famous for his dramatic readings of "Hot Afternoons" and other poems. His two-word poem, One Question, won recognition in 1925 as the shortest poem in the English language. It appeared in the Literary Review of the New York Evening Post:

Born in Dvinsk, Russian Empire, Siegel emigrated to the United States in 1905 with his parents, Mendel and Sarah (Einhorn) Siegel. The family settled in Baltimore, Maryland, where Siegel attended Baltimore City College and joined the speech and debate team now referred to as the Bancroft/Carrollton-Wight Literary Societies. He contributed to the senior publication The Green Bag and graduated in 1919. In 1922, together with V.F. Calverton [George Goetz], he co-founded The Modern Quarterly, a magazine in which his earliest essays appeared, including "The Scientific Criticism" (Vol. I, No. 1, March 1923) and "The Equality of Man" (Vol. I, No. 3, December 1923).

Eli Siegel (August 16, 1902 – November 8, 1978) was a poet, critic, and educator. He founded Aesthetic Realism, a philosophical movement based in New York City. An idea central to Aesthetic Realism—that every person, place or thing in reality has something in common with all other things—was expressed in the title poem of his first volume, Hot Afternoons Have Been in Montana: Poems. His second volume was Hail, American Development.