Age, Biography and Wiki
Elpida Hadzi-Vasileva was born on 1971 in North Macedonia. Discover Elpida Hadzi-Vasileva's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 52 years old?
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She is a member of famous with the age 52 years old group.
Elpida Hadzi-Vasileva Height, Weight & Measurements
At 52 years old, Elpida Hadzi-Vasileva height not available right now. We will update Elpida Hadzi-Vasileva's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Elpida Hadzi-Vasileva Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Elpida Hadzi-Vasileva worth at the age of 52 years old? Elpida Hadzi-Vasileva’s income source is mostly from being a successful . She is from North Macedonia. We have estimated
Elpida Hadzi-Vasileva's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
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Elpida Hadzi-Vasileva Social Network
Timeline
Hadzi-Vasileva has been the recipient of many awards including the 2013 Alexandra Reinhardt Memorial Awards, to develop a new commission for mima, Middlesbrough and Engage, London. In 2010 she received an award of recognition for special achievements in the field of Fine Art for the development of the town of Kavadarci by the national Assembly of Kavadarci, Macedonia. She was also selected to represent Macedonia at the 55th Venice Biennale in 2013. She was recipient of the Pollock-Krasner Foundation award in 2002, was shortlisted for the Jerwood Sculpture Prize (2001), and Spitalfields Sculpture Prize (2010).
Hadzi-Vasileva was Artist in Restaurant at the Michelin-starred restaurant, Pied a Terre, London (2011). Other Artist in Residence awards have included mima, Middlesbrough (2013), Gloucester Cathedral (2008–2009), The Irish Museum of Modern Art (2005), The Berwick Gymnasium Fellowship (2001) and ArtSway (1999–2000). She was commissioned by Bristol City Council to develop permanent work, Transpire (2010) for St. Bede's Catholic College in Bristol, and Road to Nowhere (2002), a temporary work commissioned by The Samling Foundation for Kielder Forest, Northumberland. Other public art commissions have included Raison d'être (2010–2013), a permanent commission for Southgate Shopping Centre, in Bath; We Are Shadows (2008) at Unit2, London; Life Cycle (2004) at Knowle West Health Part, Bristol; Re|Sort (2002) at Fabrica Gallery, Brighton; and Ambush (2000) at Rhinefield Ornamental Drive, the New Forest.
Hadzi-Vasileva is a site specific installation artist who works across the varied media of sculpture, installation, video and sound, photography, and architectural interventions. This has included Ambush (2000), which was a temporary outdoor architectural intervention, where engineered tunnels were used to expose the roots of living trees with glazed roof areas allowing the visitors to see the world from below the ground, a project co-ordinated by Southern Arts, and hosted by ArtSway and the Forestry Commission.
Recent sites and commissions include Pied à Terre, London; Gloucester Cathedral, Gloucester; Towner Gallery, Eastbourne; Southgate Shopping Centre, Bath; Swiss Embassy and the World Bank, Macedonia; Kilmainham Gaol Museum, Ireland; ArtSway at the 51st Venice Biennale in Italy and Public Room, Skopje. She graduated in Sculpture from the Royal College of Art, London, in 1998.
Elpida Hadzi-Vasileva (born 1971, Kavadarci, Macedonia) is a Macedonian-born artist based in Brighton, UK. She has exhibited extensively and realised numerous commissions nationally and internationally, in gallery spaces, museums and within the public realm. Hadzi-Vasileva was selected by the Ministry of Culture to represent Macedonia at the 55th Venice Biennale in 2013, with Ana Frangovska, curator at the National Gallery of Macedonia.