Eromo Egbejule

His writing and photography have appeared in The Atlantic,The Guardian (UK), Al-Jazeera, New York Times, Financial Times, Washington Post, Frankfurter Allgemeine Zeitung, Thomson Reuters Foundation, Premium Times, Telegraph (UK), The Times and more. In 2020, he joined OZY as its Africa Editor,, just months after leaving his role as West Africa Editor for The Africa Report magazine (2018-2019).

Eromo Egbejule is a Nigerian writer, journalist and filmmaker who has been described as "as one of the country’s most important storytellers."

In fall 2019, he was named one of four Dag Hammarsjköld Journalism Fellows at the United Nations Headquarters in New York for his work in covering 'husband schools' in rural Sierra Leone, setup to combat gender-based violence in the country. His narrative nonfiction has also been shortlisted for the 2019 Miles Morland Foundation Writing Scholarship for narrative nonfiction.

Egbejule's native Niger Delta has accounted for the majority of revenues to Nigeria for more than four decades, but poverty and ecological destruction in the region are at massive levels and continue to spiral out of control. His directorial debut, Jesse: The Funeral That Never Ended, a documentary chronicling the details of the most gruesome pipeline explosion in Nigerian history, addresses some of the lingering issues. It premiered at the 2019 Africa International Film Festival (AFRIFF) in Lagos.

Egbejule has also made intermittent incursions into academics, having been a visiting lecturer and researcher to Malmö University, Sweden across February 2017. He has also taught lectures and seminar classes at the University of Copenhagen, Linnaeus University, Växjö and New York University on among other things, his coverage of the insurgency in the Sahel and Anglophone crisis in Cameroon. In 2014, he was a recipient of the Prince Claus travel grant for culture and development, to facilitate a short teaching spell in Mexico.

Egbejule started out as a music journalist, writing for local Nigerian papers like The Guardian (Nigeria), ThisDay, NEXT and YNaija. In 2014, he covered the ebola crisis in Liberia for local Nigerian media, but later that year began working as a freelance reporter and stringer for foreign media on music and culture. Since then, he has reported extensively on the Boko Haram insurgency, elections across West Africa, sustainability in the Peruvian Amazon, Sino-African relations in the Horn of Africa and other themes. In a 2017 interview, he is quoted to have said his writing style focuses on 'rotating the cube', rather than recycling reporting tropes on Africa.