Eugenio Gentili Tedeschi

Towards the end of the 1990s the Studio Associato (Tedeschi with architects Gianni Calzà and Andrea Savio) began the restoration of vintage movie theaters in Milan. A few historic ones, like the Ducale, Excelsior, Mignon and Arcobaleno in the center of Milan were transformed into multiplexes through respectful redesign that allows the classic structures to retain their original historic features.

Gentili's longest lasting association in publishing was with Abitare, which he joined in 1961 and helped shape the character of for the following decade and a half. Abitare soon established itself as a leading design publication, featuring the works of, and publishing articles by, some of the leading architects, designers and artists of the day. When Tedeschi began his association with the founding publisher, Piera Perone, the magazine was called Casa Novità. Gentili and Perone relaunched it as Abitare in 1962 and featured an introductory article by Gentili and a main feature he commissioned on the work Gino Becker, a former colleague. He continued his close association with Abitare until 1976, working with subsequent editorial directors, including Franca Santi, with whom he shared the role of editor-in-chief for a period. He continued as a contributor to Abitare until 1979, writing some 40 articles for the magazine in all.

Gentili taught throughout his career as an architect. His began teaching in 1955, when he was invited to join Franco Albini, Ignazio Gardella and Ludovico Belgioioso as assistant at the Venice University Institute of Architecture, where he obtained professorship in 1959 teaching interior design with Albini. In 1964, he began teaching at the Politecnico di Milano in Milan, as professor of Architectural Composition, and then director of that department in 1972–73. He became a tenured professor there in 1981, where remained until his retirement in 1986. A collection of year of his architecture lectures at the Faculty of Architecture of the Politecnico di Milano was published as "Milano - i segni della storia" (Milan - the markings of history) in 1988 by Alinea, Florence.

In 1946, he opened his own practice in Milan, Studio Eugenio Gentili Tedeschi. In 1948 he was asked to join the MSA (Movimento di Studi per l'Architettura), the only architect in Italy to belong to both the Associazione per l’architettura organica (APAO) and MSA. He participated in the Milan Triennial in 1947, 1951 and 1954, eventually joining its board, where he remained active for many years.

In early spring 1945, he moved to Rome, where, with Bruno Zevi, Cino Calcaprina, Saverio Muratori, Silvio Radiconcini, Mario Ridolfi, he co-founded Metron, the first architecture magazine published in Italy after the war. [See § Publishing below.]

In Rome the spring of 1945, with Cino Calcaprina, Saverio Muratori, Silvio Radiconcini, Mario Ridolfi and Bruno Zevi, he was co-founder and publisher of Metron, the first postwar architecture magazine in Italy, and served on its editorial board. Later that year, he returned to Milan with the task of promoting Metron among local architects. Metron's influence was due to its close association with the Associazione Per l'Architettura Organica (A.P.A.O.) and became the platform advocating that Italian public architecture return to its organic roots—that it be "modeled on the human scale," in the words of Bruno Zevi, the principal proponent of "organic architecture".

Gentili took part in the Italian resistance movement and fought alongside the Partisans in the Aosta Valley (in northwestern Italy at the border with France). He was denounced in June 1944, arrested and imprisoned in Turin. He was released in a matter of weeks, after Gentili's father and girlfriend were able to raise the 30,000 lire needed to bribe the police superintendent in Turin to turn him free. In the winter of 1944/45 he managed to elude the Nazi roundups and crossed the Alps into France to safety. In early 1945, he returned to Italy with the Allied forces, going first to Rome. His sketches from that period chronicle different aspects of the partisans' operations.

In 1941, Gio Ponti, one of Italy's leading designers of the day, in direct defiance of the law, hired Gentili. Gentili worked in Ponti's studio until late 1943, when Gentili, who was active in the anti-fascist underground, was forced to flee Milan for his own safety. [See § World War Two Years below.]

Gentili's professional formation took place during the period when modern architecture and Rationalism were extremely influential in Italy, strongly promoted by the design magazine, Casabella and the writings of the magazine's editor Giuseppe Pagano and the publisher-art-critic-designer, Edoardo Persico. Persico held the 'Profezia dell'Architettura" conference (The Prophecy of Architecture) in Turin in January 1935, which the 19-year old Gentili attended. The 1930s also saw the rise of Fascism and the Italian Racial Laws promulgated in 1938, which banned Jews from academia, politics, finance, the professional world, and most sectors of public and private life.

Eugenio Gentili Tedeschi (1916-2005) was an Italian architect, designer, teacher and writer active in Italian building and product design from the 1940s until his death in 2005. Through his popular lectures while professor of design at Milan Politecnico and through his numerous books, he influenced many of the designers and architects working in Italy and abroad today. The United States Holocaust Memorial Museum and the Jewish Partisan Educational Foundation have recognized Gentili for his actions in the Italian Resistance in the Val d'Aosta during World War 2. His architectural legacy in the form of buildings can be seen in Milan and elsewhere in Italy today.

Eugenio Gentili Tedeschi was born to Jewish parents in Turin in 1916 where he had his early schooling. In 1935 he began university studies in architecture at Politecnico di Torino in its architecture division, completing his undergraduate studies in 1939 and his graduate work 1940. Concurrently, Gentili was also a student of the painter Felice Casorati until 1941. As a student in the late 1930s he formed a close, lasting friendship with the chemist and writer, Primo Levi, who knew him as "Euge" and with whom he shared a love of mountain climbing.