Age, Biography and Wiki
Felixberto C. Sta. Maria was born on 22 August, 1922 in Philippines, is an educator. Discover Felixberto C. Sta. Maria's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 84 years old?
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Age |
84 years old |
Zodiac Sign |
Leo |
Born |
22 August, 1922 |
Birthday |
22 August |
Birthplace |
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Date of death |
30 December 2006 |
Died Place |
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Nationality |
Philippines |
We recommend you to check the complete list of Famous People born on 22 August.
He is a member of famous educator with the age 84 years old group.
Felixberto C. Sta. Maria Height, Weight & Measurements
At 84 years old, Felixberto C. Sta. Maria height not available right now. We will update Felixberto C. Sta. Maria's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Felixberto C. Sta. Maria Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Felixberto C. Sta. Maria worth at the age of 84 years old? Felixberto C. Sta. Maria’s income source is mostly from being a successful educator. He is from Philippines. We have estimated
Felixberto C. Sta. Maria's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
educator |
Felixberto C. Sta. Maria Social Network
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Timeline
Sta. Maria wrote Communication Strategies in Management (1995), The Philippines in Song and Ballad (1969) and numerous scholarly papers and articles. He was married to Teresita Laico Pronove and had three daughters: Cynthia Sta. Maria Baron, a published author; Thelma Sta. Maria Camus, a psychiatrist; and Sonia Sta. Maria Guerrero, a dentist.
Sta. Maria sued the university officials in the Supreme Court for the illegal transfer and won. Sta. Maria v. Lopez, G.R. No. L-30773, (February 18, 1970) established labor case law precedents that regularly appear as questions in the Philippine Bar exams. He was reinstated. Then, he retired immediately after to join the Ateneo de Manila University, a Jesuit school, as professor of English and Communication. He opted to teach freshman English courses because he felt he could help the students more that way.
Two years after his appointment, he was transferred without due process by then UP President Salvador P. Lopez and the Board of Regents. The transfer was a measure to placate the 1969 Student Strikes gripping UP Diliman.
He became dean of the UP College of Baguio, where his own "college education" began. During his tenure, he put up a replica of the university's Oblation, a life-size statue of a naked man by Philippine National Artist Guillermo Tolentino. He started national art festivals that later became traditions in Baguio. He was eventually reassigned to the main campus in Quezon City and was appointed dean of the College of Education in 1967.
He was educated at the University of the Philippines (BSE, cum laude) 1948; Stanford University (MA); and Michigan State University (PhD) 1962, Sta. Maria joined the University of the Philippines (UP) as instructor right after graduation from college. He was one of the first if not the first Filipino to obtain a doctorate in Communication.
Felixberto Cangco Sta. Maria (22 August 1922, in Pampanga, Philippines – 30 December 2006) was a noted Filipino educator and author. He advanced the quality of higher education in the Philippines by improving the accreditation process of educational institutions. He introduced modern practices, changed the auditing method, and incorporated discipline as a part of the culture.