Age, Biography and Wiki
Francesca DiMattio is an American painter and sculptor. She was born in 1981 in New York City and graduated from the Rhode Island School of Design in 2003. She has exhibited her work in galleries and museums around the world, including the Whitney Museum of American Art, the Museum of Modern Art, and the Guggenheim Museum.
DiMattio's work is often inspired by her Italian heritage and her experience of growing up in New York City. She combines traditional painting techniques with modern materials and techniques to create works that explore the relationship between the natural and the man-made. Her work often features bright colors and bold patterns, and she often incorporates found objects into her paintings.
DiMattio has been the recipient of numerous awards, including the Rome Prize from the American Academy in Rome, the Rema Hort Mann Foundation Grant, and the Joan Mitchell Foundation Grant. She has also been featured in publications such as Artforum, The New York Times, and The Wall Street Journal.
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42 years old |
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, 1981 |
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New York, New York, United States |
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United States |
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She is a member of famous Painter with the age 42 years old group.
Francesca DiMattio Height, Weight & Measurements
At 42 years old, Francesca DiMattio height not available right now. We will update Francesca DiMattio's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Francesca DiMattio Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Francesca DiMattio worth at the age of 42 years old? Francesca DiMattio’s income source is mostly from being a successful Painter. She is from United States. We have estimated
Francesca DiMattio's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
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Pending |
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Under Review |
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Painter |
Francesca DiMattio Social Network
Timeline
1. “Carved from Nature,” Garage Magazine, September 2018 2. "Francesca DiMattio" ; The New Yorker, 2017 3. 5 McDermott, Emily, “Francesca Dimattio’s Instable Stability”, Interview, November 3 4. Packard, Cassie, “Francesca DiMattio's Grotesque, Delicious Sculptures Will Rob You of Certainty”, Vice, September 21 5. Smith, Roberta, “Review: Francesca DiMattio, ‘Domestic Sculpture,’ at Salon 94 Bowery”, New York Times, April 23, 2015 6. Corcoran, Heather, “Ceramic Artist Francesca DiMattio Explores the Beauty in Domesticity”, Dwell, April 2, 2015 7. The Artist Testing the Limits of Ceramics - The New York Times https://www.nytimes.com/2018/03/06/t-magazine/art/francesca-dimattio-ceramics.html
In recent solo shows (2014-8) in New York City and London she has introduced ceramic sculpture that aspires to the monumental via a feminine strength and whimsy. DiMattio fractures and reconfigures a wide array of references including art history, children’s books, cartoons, pop culture, and craft. Though elements seem ready-made, she, in fact, sculpts and glazes everything by hand. Her sculptures are complex and multifaceted—each angle revealing seemingly endless experimentations in ceramic and glazing techniques. Throughout each assemblage, DiMattio’s layering and fragmentation maps a crucial dialogue between cultures and styles, pointing to the plasticity of representation. Through shifts in scale, elements that are typically accents become primary. Things do not behave as expected. Tiny figurines appear over scaled, floral motifs become viral, and torsos morph from flora and fauna. Through painting and the hybridization of art and craft she has introduced a dialogue with the past that has enlivened the contemporary world art scene. Her ceramic sculptures include monumental candelabras heavy with historical references suggesting the weight of ceramic styles on chaotic post-modern lighting and living. Her totems reference Greek Caryatids carried into a present rethinking of the weight women bear today. A large monstrous 9-foot tall piece, She-Wolf (2018), evokes Yeats’, The Second Coming with its ending …” And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?”
"Francesca DiMattio at Salon 94 and Salon 94 Freemans - artcritical". March 1, 2009. </ref> and the ICA in Boston. Blaffer Art Museum, Francesca DiMattio, Blaffer Art Museum, Housewares June 2014; Bruce Zimmerman,The Brooklyn Rail, Nov.6, 2019
DiMattio grew up in the Chelsea neighborhood of New York City. Her mother was a college counselor and ceramist and her father was a vision scientist in the Physiology Dept. at NYU Medical Center. She attended NYC Public schools including the Lab School and LaGuardia High School of Music and Art graduating in 1999. She received her BFA from the Cooper Union in 2003 and her MFA from Columbia University of the Arts in 2005. She lives and works in New York City and Hillsdale, NY.
Francesca DiMattio (born 1981) is an American artist born and based in New York City. She makes paintings and ceramic sculpture that weave elements using architectural, design, cultural and historical references.
Francesca DiMattio (born 1981) is an American artist born and based in New York City. She makes paintings that weave spaces using architectural, cultural and historical references. Patterns, textures and imagery combine to forge a logical cohesion from apparently disparate and chaotic elements. Large mural works on canvas have been displayed in the Saatchi Gallery in London, Locust Projects in Miami, Salon 94 Bowery in NYC and the ICA in Boston.