Age, Biography and Wiki

Gary Graver was an American cinematographer, director, and camera department. He was born on July 20, 1938 in Portland, Oregon. He began his career in the 1960s, working as a camera assistant on films such as The Wild Angels (1966) and The Trip (1967). He went on to become a cinematographer on films such as The Big Doll House (1971), The Big Bird Cage (1972), and The Swinging Cheerleaders (1974). He also directed several films, including The Naked Zoo (1970) and The Naked Monster (2005). Graver was known for his work with director Orson Welles, having served as his cinematographer on several of his films, including F for Fake (1973), The Other Side of the Wind (1976), and Filming Othello (1978). He also worked with other notable directors, such as John Cassavetes, Robert Altman, and Francis Ford Coppola. Graver died on November 16, 2006 in Los Angeles, California. He was 68 years old.

Popular As Gary Foss Graver
Occupation cinematographer,director,camera_department
Age 68 years old
Zodiac Sign Cancer
Born 20 July, 1938
Birthday 20 July
Birthplace Portland, Oregon, USA
Date of death 16 November, 2006
Died Place Rancho Mirage, California, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 20 July. He is a member of famous Cinematographer with the age 68 years old group.

Gary Graver Height, Weight & Measurements

At 68 years old, Gary Graver height not available right now. We will update Gary Graver's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Who Is Gary Graver's Wife?

His wife is April Silva (1 April 1974 - 1976) ( divorced) ( 1 child), Connie Nelson (22 November 1969 - 1972) ( divorced), Andrea Ellestad (19 November 1960 - ?) ( divorced) ( 1 child), Jillian Kesner (? - 16 November 2006) ( his death)

Family
Parents Not Available
Wife April Silva (1 April 1974 - 1976) ( divorced) ( 1 child), Connie Nelson (22 November 1969 - 1972) ( divorced), Andrea Ellestad (19 November 1960 - ?) ( divorced) ( 1 child), Jillian Kesner (? - 16 November 2006) ( his death)
Sibling Not Available
Children Not Available

Gary Graver Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Gary Graver worth at the age of 68 years old? Gary Graver’s income source is mostly from being a successful Cinematographer. He is from United States. We have estimated Gary Graver's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Cinematographer

Gary Graver Social Network

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Timeline

1989

Following this he produced and photographed Jaded (1989). Set in Venice, California, this offbeat psycho-drama was written and directed by Oja Kodar. It starred Jillian Kesner and Elisabeth Brooks. Welles also appears in a cameo from the unseen clip of "Merchant of Venice", playing Shylock.

(1989), "Deadly Revenge" (1988), Night Children (1989), Alienator (1990), L. A.

Bounty (1989) and Wizards of the Demon Sword (1991).

1988

In 1988 he directed a comedy farce, Nerds of a Feather (1989), featuring Pat McCormick and female impersonator Charles B. Pierce, producer Mario Milano and a cast of midgets.

Also in 1988 Graver photographed B. O. R. N.

1987

The next year was spent mostly on directing, photographing and editing Moon in Scorpio (1987) for Trans World Entertainment. This supernatural thriller set on the high seas with a vampire and astrological plot involving several decadent characters was re-edited many times by the producers and then released only on video, where it made money. Graver directed John Phillip Law, Britt Ekland, William Smith, Lewis Van Bergen, Jillian Kesner and April Wayne.

1986

In 1986 he photographed Party Camp (1987) for Vestron, which had a limited theatrical release before going to video.

1985

Other projects included Orson Welles' Magic Show (1985) and the essay film Filming 'Othello' (1978). On the morning of Welles' death, he and Graver were to begin filming "Julius Caesar" with Orson playing all of the parts. Two days previously the stage had been pre-lit at the UCLA Theatre Arts Department.

1984

For Disney Gary shot Love Leads the Way: A True Story (1984) starring Timothy Bottoms, Patricia Neal, Eva Marie Saint, Ernest Borgnine, Ralph Bellamy and Arthur Hill.

1982

In 1982 Graver wrote, produced and directed a film called Trick or Treats (1982). It featured his son Chris Graver along with David Carradine, Carrie Snodgress, Steve Railsback, Jacqueline Giroux, Paul Bartel and Jillian Kesner.

1981

In 1981 he directed "The Boys" from his own screenplay, starring Cameron Mitchell and his son, Cameron Mitchell Jr. . This film was subsequently ruined by the producer and distributor.

The solid, hard-hitting drama, as originally shot using the director's screenplay, emerged as a stupid comedy released by Film Ventures International as Texas Lightning (1981).

1980

In the 1980s Gary photographed five TV "movies of the week" starring Gary Coleman for NBC.

1979

After that, Welles and Graver worked on many projects, including The Orson Welles Show (1979) for TV syndication with Burt Reynolds, Angie Dickinson and The Muppets.

1978

He also photographed The Toolbox Murders (1978), The Attic (1980) with Carrie Snodgress and Ray Milland, Mortuary (1983), Chattanooga Choo Choo (1984) and the remake of Stagecoach (1986) with Willie Nelson, Johnny Cash, Kris Kristofferson and Waylon Jennings.

1977

Between times, in the midst of all the Welles projects, Graver maintained his professional status as a first-rate Hollywood cinematographer and shot many feature films for Roger Corman: Moonshine County Express (1977), Deathsport (1978) with David Carradine and Grand Theft Auto (1977), directed by Ron Howard.

1975

Shooting was completed in Los Angeles in 1975 at the home of Peter Bogdanovich, after a marathon schedule that took the project to Arizona, France, Spain, Belgium, New York, Hollywood, Yugoslavia, Italy and England. Because of a series of legal entanglements the film was never brought through post-production, although Welles left an edited 45-minute version and editing notes.

1973

During this period, in 1973, Welles, Kodar and Graver made a feature in Europe titled F for Fake (1973).

1971

Frankenstein (1971), he decided to call on Orson Welles--whom he did not know nor had ever met--because he read that Welles was in town.

1970

In 1970 Graver, Welles and his collaborator, Oja Kodar, started filming a feature project, The Other Side of the Wind (2018). The production of this movie was to take place over a period of five years.

1969

Gary Graver was born and raised in Portland, Oregon. In high school he produced and starred in his own weekly radio show. Moving into acting, he studied and performed at the Portland Civic Theatre and Grant High School as well as being a child circus clown and magician. He built a theater in his basement, showing 16mm films and producing plays for the neighborhood kids. At age 20 he moved to Hollywood to continue his studies. He studied with Jeff Corey, Douglas Fowley, Lee J. Cobb and Lucille Ball. Finding acting jobs hard to come by, he switched to production work and produced and directed a short film and a feature. He was soon drafted into the military and shipped overseas, where he became a member of the U. S. Navy Combat Camera Group. Not really being a cameraman, he went to all the camera rental houses in Hollywood and picked up as much knowledge as he could to prepare for his two-year tour of duty in the Far East, including Vietnam, Japan and the Philippines. After leaving the military, he worked in documentaries for a year before getting into feature productions. After photographing such "classics" as Satan's Sadists (1969) and Dracula vs.

1941

Welles explained that only one other cameraman had just called him up and said he wanted to work with him--Gregg Toland, who photographed Citizen Kane (1941). Welles and Graver immediately embarked on a series of half-hour shows for the Sears department store chain. It was called "An Evening with Orson Welles". It consisted of six stories told on film by Orson and then to be transferred to a new, up-and-coming medium--videotape. It was the beginning of a close friendship and creative filmmaking partnership.