Gary Miller (conductor)

Born into a dysfunctional family, Miller had always struggled with his identity, according to his family. His mother and father struggled to get along, worsening his condition among his three siblings, Don (living), Randy (living), and Barbara (deceased 2016). The first person he confided in was his older sister, Barbara, who, as it is told, was irritated and disgusted with Gary for seeing his sexual disposition as an issue. Gary's extended family is extensively large, with his brother Don having over 10 grandchildren.

Under Miller's leadership the NYCGMC operated not only as a musical ensemble but as a political and social organization. In a 2005 interview in The New York Times Miller said of the chorus, "As gay men we wanted to make music for the education and enrichment of the community. It was to be equal parts music, social and political." In 1984 the chorus performed at the Eastern Division Conference of the American Choral Directors Association (ACDA). It was the first time that the ACDA had featured a gay chorus at one of its conventions. The ACDA had initially refused to allow the chorus to use the word gay in their printed program; a decision which prompted Miller to file a successful lawsuit against the organization with the backing of the American Civil Liberties Union. He also led the chorus in several AIDS benefits which helped raise awareness of the disease as well as bring in funding for medical research.

Gary Miller (born 1946) is an American conductor, gay activist, and educator. Raised in York, Pennsylvania, he graduated from Lebanon Valley College with a Bachelor of Music Education and from the University of Michigan with a Master of Music in choral conducting. In August 1980 he played an instrumental role in founding the New York City Gay Men's Chorus (NYCGMC). He served as the NYCGMC's first director from 1980 to 1998. He later returned as director for one season in 2005. During his tenure the chorus notably became the first gay musical ensemble to receive a recording contract. He also commissioned 40 new choral works by numerous notable American composers. Under his baton, the chorus performed more than 50 concerts in Carnegie Hall and completed three European tours.