George Coleman

His CD as co-leader, Four Generations of Miles: A Live Tribute to Miles, with bassist Ron Carter, drummer Jimmy Cobb and guitarist Mike Stern was released on Chesky Records in October 2002 and concentrates almost exclusively on the 1950s repertoire of Miles Davis. Tracks include: "There Is No Greater Love," "All Blues," "On Green Dolphin Street," "Blue in Green," "81," "Freddie Freeloader," "My Funny Valentine," "If I Were a Bell," and "Oleo.

Coleman also appeared in the film "Freejack", the 1992 science-fiction film with Emilio Estevez, Mick Jagger and Anthony Hopkins; and 1996's "Preacher's Wife" with Denzel Washington and Whitney Houston. [6]Coleman is still recording.

[5] Charles Mingus (1977-1978), Shirley Scott (1972), Clark Terry, Horace Silver, Elvin Jones (1968), Ahmad Jamal (1994, 2000) and many others.

He played with Lionel Hampton (1965-1966), also in 1965 and performed on Chet Baker's The Prestige Sessions, with Kirk Lightsey, Herman Wright and Roy Brooks.

The following year, he played on Herbie Hancock's Maiden Voyage (1964), with Ron Carter and Tony Williams, generally considered to be one of the pianist's finest albums.

[4]His most famous albums with Davis (and the rhythm section of Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)) are Seven Steps to Heaven (1963), A Rare Home Town Appearance (1963), Côte Blues (1963), In Europe (1963), My Funny Valentine (1964) and Four and More, both live recordings of a concert in Lincoln Center for the Performing Arts in New York in February 1964. Shortly after this concert, Coleman was replaced by Wayne Shorter.

Moving to New York with Max Roach in that year, he went on to play with Slide Hampton (1959-1962), Ron Carter, Jimmy Cobb, and Wild Bill Davis (1962), before joining Miles Davis Quintet in 1963-1964.

Coleman recorded with organist Jimmy Smith's Houseparty (1957), with Lee Morgan, Curtis Fuller, Eddie McFadden, Kenny Burrell, and Donald Bailey.

[3] In 1956 Coleman moved to Chicago, along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach Quintet 1958-1959.

George S. Coleman was born in Memphis, TN. Coleman taught himself to play the alto saxophone in his teens, inspired (like many jazz musicians of his generation) by Charlie Parker. Among his schoolmates were Harold Mabern, Booker Little, Frank Strozier, Hank Crawford and Charles Lloyd. [1] After working with Ray Charles, Coleman started working with B. B. King in 1953,[2] at which point he switched to tenor saxophone.