George Tillman Jr.

Tillman directed the 2015 romantic drama The Longest Ride, based on Nicholas Sparks' 2013 novel of the same name.

Soul Food is originated from Tillman's passion to make a motivating and straight from the heart story about a modern African American family. It is based around three sisters that live in Chicago—Maxine (Vivica A. Fox), a full-time house wife and mother; Teri (Vanessa L. Williams), a strong willed attorney who pays little to no attention to her own personal life; and Bird (Nia Long), a hairdresser that is married to an ex-convict. When find out their mother is put in a hospital and their traditional big Sunday dinner is put on pause, the sisters struggle to keep their family together. Tillman was able to incorporate a lasting impression on the audience while touching on the big ideas of family tradition and bonds. According to Ty Burr of Entertainment Weekly in referencing Soul Food, "George Tillman Jr. writes and directs with homespun style and a minimum of flash, reminding us that behind a lot of clichés lie simple truths."

Tillman received offers to start a new project starring Steve Martin, and to create biographical films based on African American figures such as Dorothy Dandridge, Marvin Gaye, and Richard Pryor. Tillman told Murray in an interview, "I love Marvin Gaye..there's something about him and his struggle that I think will make a great film. It's so interesting to see how someone was so very talented and at the same time so very insecure." In regard to Tillman's next big upcoming film, he is going to base a film on the heroic story of Carl M. Brashear—the U. S. Navy's first African American master deep sear diver. It is a project that Tillman envisions to be similar to popular classics such as An Officer and a Gentleman and Glory. Tillman told Painter, "I love characters people can identify with and relate to—characters that go through struggles we can learn from in our everyday lives. I feel that with a lot of films today, we're getting away from that."

On September 13, 2002, Barbershop was released in theaters and made a grand total of $77, 063, 924.

In 2001, Barbershop began filming in Chicago. The film was located in the South Chicago community area and what was once a laundromat, was now the set for the barbershop. In comparison to Soul Food, which was made in 1997, Tillman still strived to show African Americans in a more positive outlook.

On November 10, 2000, Men of Honor was released in theaters. Men of Honor turned out to be a success especially oversees. The film generated $85 million.

Tillman and Teitel took the script to Twentieth Century Fox, but they failed to pass it because they were not satisfied with the script. The same was said with Fox 2000 and Fox Searchlight. A bit discouraged, the two went to MGM due to one of the executive of Men of Honor, Alex Gardner, and they bought it.

Tillman's next big hit was his film, Men of Honor, starring Oscar-winning actors Robert De Niro, and Cuba Gooding Jr. Tillman was inspired to do this film after seeing F. Gary Gray in The Negotiator (1998) because he realized there were little to no opportunities for African American directors to work with big time stars and he wanted to change that. When Tillman first got his hands on the script while he was editing Soul Food, he was very impressed by it. "I think a great script is when you have a great other world—a world that other people can explore and other people don't know about—and that script had that."

Tillman is most notable for directing the films Soul Food (1997) and Men of Honor (2000). He is also the producer of Soul Food: The Series on television and the four films in the Barbershop series: Barbershop, Barbershop 2: Back in Business, Beauty Shop and Barbershop: The Next Cut. He directed the 2009 biopic Notorious, about the late Brooklyn-born rapper The Notorious B.I.G., and directed and produced the drama The Hate U Give (2018).

Tillman was nominated for the Black Film Award for Best Director for Soul Food (1997). Tillman was also nominated for the Black Reel Award for Best Director and Best Screenplay for Notorious (2009).

In September 1997, Soul Food reached theaters and earned $11 million during its first weekend. $14 million was earned by the end of its first week, which validated Tillman's success because the film received twice the amount it originally cost to make. Tillman later told Murray, "the shows were sold out, people were laughing, crying, it was just incredible." The grand total from Soul Food's release was $43 million and it also thrived in video sales. Initially, it was hoped that Soul Food would be able to attract white moviegoers, especially after all the success from the first week, but it did not work out that way. After learning that only 12 percent of the film's ticket buyers were white, Tillman stated "I do feel sometimes that white audiences are still not coming to black films as much as I would like. I think we're still working on that. But I'm really comfortable with where the film ended up." However, even with the lack of white supporters, it proved that African American audiences are able to make a film a commercial success. According to Jack Trout, president of Trout & Partners, in regard to black audiences, "this segment is really sizable, and Hollywood is just starting to recognize that."

The Edmonds' were able to negotiate with 20th Century Fox to underwrite the film for $6.5 million. In the beginning, 20th Century Fox wanted to have a more experienced director, but the studio changed their decision once they viewed some of Tillman's past work. In October 1996, the filming of Soul Food began to commence as Kenneth Edmonds served as the executive producer, and both Tracey Edmonds and Robert Teitel were the producers. Originally, 20th Century Fox would have wanted to have more pre-production work and start the actual filming sometime during 1997, but the leading actresses—Vivica A. Fox, Vanessa L. Williams, and Nia Long- had other obligations they had to attend to, which made them unavailable for the next year. Tracey Edmonds was concerned about not having the same cast, so the production settled on "a schedule to accommodate everybody. We had only 38 days to shoot the movie and could not go a day over that." Due to Tillman's persistence, Soul Food's location took place in Chicago.

On November 6, 1996, the production of Soul Food began on a thirty-day schedule. Tillman finished the film on schedule because he already had so much of the big ideas worked out in advance. Tillman told Murray during an interview, "I knew all the shots. I knew the locations…It was pretty much based on my experiences, so it wasn't hard for me."

In 1994, Tillman directed and wrote his own feature-length film, Scenes for the Soul, which was shot in Chicago. Tillman had thirty days to shoot the film and on top of that, work with a lot of actors who never acted before. In Scenes for the Soul, Tillman skillfully intertwines three stories based on the day in the life of a diverse group of African American characters. In 1995, Tillman finished editing the film. Upon completion, Tillman went to Hollywood with the copy of Scenes for the Soul and a few hundred dollars. Tillman was able to sell his film to George Jackson and Doug McHenry who bought it for Savoy Pictures for the grand total of $1,000,000. However, Savoy Pictures went bankrupt before the film went out in theaters.

Tillman went to John Marshall High School in Milwaukee and he took Mass Communications Magnet Classes. As a teenager, Tillman made amateur videos and created Splice of Life, which was a program for a local Public-access television. After high school, Tillman attended Columbia College in Chicago and majored in Film and Video. Tillman decided to move to Chicago because he thought a lot was happening there creatively. "There is a lot of theater there, and there are a lot of things happening in Chicago that I wanted to be a part of, so that's where I went to film school," according to Tillman. While in film school, he created a 30-minute short, Paula, which was a story of a 17-year-old, single African American mother who works in a diner and motivates the people around her. Paula's success attributed to numerous awards including the Black Filmmaker's Hall of Fame Award "George Tillman Jr.". and winning the Midwest Regional, Dramatic Category, of the Academy of Motion Pictures Arts and Sciences' 19th Annual Student Academy Award competition (1992). In 1991, Tillman graduated from Columbia College and became a part of a directing and producing partnership with his fellow college, Robert Teitel, and together made their company, Menagerie Films. During that time, Tillman supported himself by being a production assistant. He helped work on various commercials, but he always knew he wanted to direct. "Usually, I was the first guy on the set and the last guy to leave—eighteen hours of hard work. And I just felt like if I want to direct, why am I doing this?" Tillman's only experience of being close to a director was made was when he worked on the film, Mo' Money. The writer of Mo' Money, Damon Wayans told the union that he wanted more African Americans to be a part of the crew, which is the major reason why Tillman got hired. Tillman was a set dresser and was able to see how they made the film. At that point, Tillman realized that if he wanted to direct he had to write his own script to make everything happen. "It was going to be a long road from being a PA (production's assistant) to a director."

In 1975, Tillman became inspired to create his own films after seeing the film, Cooley High. To Tillman, Cooley High spoke to the African American audience in both tears and laughter, and Tillman decided he wanted to contribute to that medium, but did not necessarily know if he wanted to become an actor, writer or director. In 1973, when Tillman watched Five on the Black Hand Side and Claudine in 1974, he felt empowered and knew he wanted to become a filmmaker. "Those were the films that made me realize that African American films- this is before they started calling some films of that era Black exploitation films-spoke for us, and I wanted to be involved with that."

George Tillman Jr. (born January 26, 1969) is an American film producer, screenwriter, and director.